The Close of Day (Clappé, Arthur A.)

Movements/SectionsMov'ts/Sec's 1
First Publication 1884 – [Philadelphia]: W.F. Shaw (or earlier)
Genre Categories Secular choruses; Choruses; Songs; For 4 voices, piano; For voices with keyboard; Scores featuring the voice; Scores featuring the soprano voice; Scores featuring the alto voice; Scores featuring the tenor voice; Scores featuring the bass voice; Scores featuring the piano; For mixed chorus, piano; Scores featuring mixed chorus; For chorus with keyboard; English language

Sheet Music

Scores

 Complete Score (Preview)
#270068 - 2.17MB, 7 (fc, #3–7, bc) pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 176×⇩ - Schissel

PDF scanned by US-Wc
Schissel (2013/2/17)

Editor possibly William F. Sudds (1843–1920) (compiler of edition)
Publisher. Info. Cæcilian Edition of Octavo Glees and Part Songs, No.173.
[Philadelphia]: W.F. Shaw, 1884.
Copyright
Public Domain [tag/del]
Purchase
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General Information

Work Title The Close of Day
Alternative. Title Part-Song
Composer Clappé, Arthur A.
I-Catalogue NumberI-Cat. No. IAC 1
Key F major
Movements/SectionsMov'ts/Sec's 1
First Publication. 1884 – [Philadelphia]: W.F. Shaw (or earlier)
Librettist Wilhelm Hey (1789–1857), translated/adapted to English by Francis L. Soper (fl.1850–fl.1890?) (in a 1850 publication used by several composers, see The Lied, Art Song, and Choral Texts Archive)
Language English
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation SATB voices, piano

Navigation etc.

Piano has somewhat independent part so is not for rehearsal purposes only (performance without the piano part of the choral parts as is does not look feasible.) - Schissel

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