The Close of Day (Clappé, Arthur A.)

Movements/SectionsMov'ts/Sec's	1
First Publication	1884 – [Philadelphia]: W.F. Shaw (or earlier)
Genre Categories	Secular choruses; Choruses; Songs; For 4 voices, piano; For voices with keyboard; Scores featuring the voice; Scores featuring the soprano voice; Scores featuring the alto voice; Scores featuring the tenor voice; Scores featuring the bass voice; Scores featuring the piano; For mixed chorus, piano; Scores featuring mixed chorus; For chorus with keyboard; English language

Sheet Music

Scores

Complete Score (Preview)
*#270068 - 2.17MB, 7 (fc, #3–7, bc) pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 177×⇩ - Schissel

PDF scanned by US-Wc
Schissel (2013/2/17)

Editor	possibly William F. Sudds (1843–1920) (compiler of edition)
Publisher. Info.	Cæcilian Edition of Octavo Glees and Part Songs, No.173. [Philadelphia]: W.F. Shaw, 1884.
Copyright	Public Domain [tag/del]
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Lyrics (1)

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General Information

Work Title	The Close of Day
Alternative. Title	Part-Song
Composer	Clappé, Arthur A.
Internal Reference NumberInternal Ref. No.	IAC 1
Key	F major
Movements/SectionsMov'ts/Sec's	1
First Publication.	1884 – [Philadelphia]: W.F. Shaw (or earlier)
Librettist	Wilhelm Hey (1789–1857), translated/adapted to English by Francis L. Soper (fl.1850–fl.1890?) (in a 1850 publication used by several composers, see The Lied, Art Song, and Choral Texts Archive)
Language	English
Composer Time PeriodComp. Period	Romantic
Piece Style	Romantic
Instrumentation	SATB voices, piano

Navigation etc.

Piano has somewhat independent part so is not for rehearsal purposes only (performance without the piano part of the choral parts as is does not look feasible.) - Schissel