Novi thesauri musici, Libro 2 (Gardano, Antonio)

Ambox notice.png This page is only for complete editions and multiple selections from the collection here. For arrangements, new editions, etc. see (or create) separate pages for individual works linked in the General Information section below.
Movements/SectionsMov'ts/Sec's 44 motets
First Publication 1568
Genre Categories Motets; For voices; Scores featuring the voice; For unaccompanied voices; For 4 voices; For 5 voices; For 6 voices; For 7 voices; For 8 voices; Latin language

Sheet Music

Parts

 Cantus
#512726 - 13.81MB, 68 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 133×⇩ - Vangi

PDF scanned by A-Wn
Vangi (2018/2/15)

⇒ 5 more: Altus • Tenor • Bassus • Quintus • Sextus

 Altus
#512727 - 13.92MB, 68 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 90×⇩ - Vangi

PDF scanned by A-Wn
Vangi (2018/2/15)

 Tenor
#512728 - 13.95MB, 68 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 89×⇩ - Vangi

PDF scanned by A-Wn
Vangi (2018/2/15)

 Bassus
#512729 - 13.76MB, 68 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 89×⇩ - Vangi

PDF scanned by A-Wn
Vangi (2018/2/15)

 Quintus
#512730 - 11.25MB, 56 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 91×⇩ - Vangi

PDF scanned by A-Wn
Vangi (2018/2/15)

 Sextus
#512731 - 7.28MB, 38 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 95×⇩ - Vangi

PDF scanned by A-Wn
Vangi (2018/2/15)

Publisher. Info. Venezia: Antonio Gardano, 1568.
Copyright
Public Domain [tag/del/mrg]
Misc. Notes Österreichische Nationalbibliothek A-Wn SA.79.C.7(2) - RISM 1568(3)
ChoralWiki (includes contents listing)
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General Information

Work Title Novi thesauri musici, Libro 2
Alternative. Title
Composer Gardano, Antonio
I-Catalogue NumberI-Cat. No. None [force assignment]
Movements/SectionsMov'ts/Sec's 44 motets:
  1. Le Duc: Domine ne longe facias
  2. Regnart: Domine secundum actum meum
  3. Hollander: Junior fui
  4. Hollander: Sic Deus dilexit mundum
  5. Hollander: Laudate Dominum omnes gentes
  6. Adam de Ponte: Non nobis Domine sed nomini tuo
  7. Hollander: Deus adjutor meus
  8. Hollander: Qui moritur Christo vivit
  9. Cleve: Domine Jesu Christe respicere digneris
  10. Utendal: Miserere mei Deus
  11. Antonius Galli: Domine Deus Domini regis mei
  12. Adam de Ponte: Ne derelinquas nos Domine
  13. Jean de Chaynée: Ne reminiscaris Domine
  14. Utendal: Levavi oculos meos
  15. Hollander: Agnosce Domine creaturam tuam
  16. Deiss: Ego sum resurrectio
  17. Des Buissons: Diligite inimicos vestros
  18. Deiss: Paratum cor meum Deus
  19. Hollander: Christe salus hominum
  20. Wert: Transeunte Domino
  21. Jean de Chaynée: Inclina Domine aurem tuam
  22. Le Duc: Exaudi Domine
  23. Hollander: Educ me o Domine Deus
  24. Vaet: Rex Babylonis venit ad lacum
  25. Utendal: Mortalium preces nimis hec
  26. Des Buissons: Ad auge nobis Domine fidem
  27. Formellis: Pater noster
  28. Brouck: Attende mihi Domine
  29. Pevernage: Laudem dicite Deo nostro
  30. Des Buissons: Confitebor tibi Domine Deus
  31. Deiss: Ne derelinquas nos Domine
  32. Hollander: Da pacem Domine in diebus nostris
  33. Vaet: In tenebris nostrae et densa caligine
  34. Hollander: Vitam que faciunt beatiorem
  35. Antonius Galli: Ecce quam bonum et quam jucundum
  36. Des Buissons: Domine sancte pater et Deus
  37. Hollander: Auxilium meum a Domino
  38. Brouck: Memor esto verbi tui
  39. Cleve: Dixit ergo Jesus ad duodecim
  40. Lassus: Estote ergo misericordes
  41. Utendal: Jubilate Deo omnis terra
  42. Cleve: Erravi sicut ovis
  43. Des Buissons: Ego sum resurrectio
  44. Utendal: Inclina Domine
First Publication. 1568
Language Latin
Dedication Maximillian II, Holy Roman Emperor
Composer Time PeriodComp. Period Renaissance
Piece Style Renaissance
Instrumentation 4, 5, 6, 7, 8 voices

Navigation etc.

A collection of motets for the Temporale Common (ordinary Sundays).
In many references, "Pietro Giovanelli" is credited as the main contributor, but he was not a composer. He was the patron of the collection, which, according to Erin Lambert, "was unprecedented in size; it included more than 250 motets [. . . it] provides insight into activities of the Habsburg court chapels in Vienna, Graz, Innsbruck, and Prague." (Singing the Resurrection: Body, Community, and Belief in Reformation Europe, pp.168-169)

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