Morceau symphonique, Op.88 (Guilmant, Alexandre)

Contents

Performances

Sheet Music

Scores and Parts

PDF scanned by F-Pn
Schissel (2018/11/3)

Publisher. Info. Holograph manuscript, 1902. April.
Copyright
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Pnorcks (2024/12/11)

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Pnorcks (2024/12/11)

Editor First edition*
Publisher. Info. Paris: A. Durand & Fils, n.d.[1902]. Plate A.G. 132.
Copyright
Misc. Notes Bibliothèque nationale de France, Musique (F-Pn): VM14-38
* An earlier edition could have preceded this one, since "A.G." plate numbers were used by Guilmant for self-publishing his works. But given that Guilmant completed the work in April 1902 and the BdlF notice is from July 1902, it's not clear whether a self-published first edition appeared in that 3-month window.
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PDF scanned by Ralph Theo Misch
RTM (2012/11/26)

PDF scanned by Unknown
Aaron (2016/1/23)

Publisher. Info. London: Schott & Co., n.d.(ca.1910). Plate S. & Co. 6073.
Reprinted London: Schott & Co., n.d.(ca.1975). Plate E.D. 10484.
Copyright
Misc. Notes #260148: Scanned at 600dpi monochrome. Reprint includes bogus copyright claim.
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Arrangements and Transcriptions

For Trombone and Organ (Nehls)

PDF typeset by Ulrich Nehls
Reccmo (2012/3/15)

Arranger Ulrich Nehls
Publisher. Info. Ulrich Nehls
Copyright
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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General Information

Work Title Morceau symphonique pour trombone et piano
Alternative. Title
Composer Guilmant, Alexandre
Opus/Catalogue NumberOp./Cat. No. Op.88
I-Catalogue NumberI-Cat. No. IAG 42
Key E-flat major
Movements/SectionsMov'ts/Sec's 2 (introduction in E minor - Allegro moderato in E major)
Year/Date of CompositionY/D of Comp. 1902 April
First Publication. 1902 – Paris: A. Durand & Fils
Copyright Information Publication noted in the Bibliographie de la France :
2e série, 91e année, Nº 27, 5 Juillet 1902, p.448, r.3524.
Dedication à mon ami Théodore Dubois
Average DurationAvg. Duration 6-8 minutes
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation trombone, piano
Extra Information This work was used as an examination piece (Morceaux de concours) by the Conservatoire de Paris. The Conservatoire used this work in the following year(s): 1902.