Cello Concerto, Op.41 (Widor, Charles-Marie)

Movements/SectionsMov'ts/Sec's	3 movements
Composition Year	1877
Genre Categories	Concertos; For cello, orchestra; Scores featuring the cello; Scores featuring the orchestra; For orchestra with soloists; For cello, piano (arr); Scores featuring the cello (arr); Scores featuring the piano (arr); For 2 players (arr)

Sheet Music

Scores

Complete Score
*#378187 - 19.31MB, 166 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 172×⇩ - Dmitterd

PDF scanned by US-Bpr
Dmitterd (2015/5/17)

Publisher. Info.	Holograph manuscript, 1877., dated August 13.
Copyright	Public Domain [tag/del]
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Arrangements and Transcriptions

For Cello and Piano (Widor)

Complete Score
*#79522 - 6.74MB, 43 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 634×⇩ - Schissel

PDF scanned by US-R
Schissel (2010/9/23)

Cello Part
*#79521 - 0.93MB, 11 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 853×⇩ - Schissel

PDF scanned by US-R
Schissel (2010/9/23)

Arranger	composer
Publisher. Info.	Paris: J. Maho, n.d.
Reprinted	Paris: Hamelle, n.d.[1882]. Plate J.1887 H.
Copyright	Public Domain [tag/del/mrg]
Misc. Notes	This file is part of the Sibley Mirroring Project. HMB link above probably only approximate (date of receipt in Leipzig), as often for French scores (1880 or 1881 seems more nearly right.)
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General Information

Work Title	Cello Concerto
Alternative. Title
Composer	Widor, Charles-Marie
Opus/Catalogue NumberOp./Cat. No.	Op.41
I-Catalogue NumberI-Cat. No.	ICW 4
Key	E minor
Movements/SectionsMov'ts/Sec's	3 movements: Allegro Andantino – Andante – Animato Allegro vivace
Year/Date of CompositionY/D of Comp.	1877
First Performance.	1882-03-12
First Publication.	1880?
Dedication	A Madame la Comtesse de Beaumont-Castries.
Average DurationAvg. Duration	30 minutes
Composer Time PeriodComp. Period	Romantic
Piece Style	Romantic
Instrumentation	cello, orchestra
InstrDetail	flutes, oboes, clarinets, bassoons, horns, trumpets, trombones, timpani, percussion, strings

Navigation etc.

Usually dated to 1878 (see e.g. the recent Dutton recording). Premiered 12 March 1882 according to "Chronique des arts et de la curiosité", 11 March 1882, Nº 10, page 77.