This work has been identified as being in the public domain in Canada, as well as countries where the copyright term is life+50 years. However, this work is probably still protected by copyright in the United States, as well as in countries where the copyright term is life+70 years (including all EU countries), unless an exception applies. See public domain for details. |
Movements/SectionsMov'ts/Sec's | 11 scenes |
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Composition Year | 1946, New Haven 1946-03-20 (Vocal Score Completed) 1946-04-20 (Full Score Completed) 1947-10-17 (German Translation Completed) |
Genre Categories | Requiems; Funeral music; Religious works; |
Related Works | Nine English Songs (No.5) |
Contents |
Complete Score (CA)
*#460156 - 18.07MB, 184 pp. - -) (- C*/91*/34* - Sallen112
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Work Title | When lilacs last in the door-yard bloom'd Als Flieder jĂĽngst mir im Garten blĂĽht' |
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Alternative. Title | A Requiem "For those we love" Ein Requiem "Denen, die wir lieben" |
Composer | Hindemith, Paul |
I-Catalogue NumberI-Cat. No. | IPH 182 |
Movements/SectionsMov'ts/Sec's | 11 scenes |
Year/Date of CompositionY/D of Comp. | 1946, New Haven 1946-03-20 (Vocal Score Completed) 1946-04-20 (Full Score Completed) 1947-10-17 (German Translation Completed) |
First Performance. | 1946-05-14 in New York City Center, Unidentified Orchestra
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First Publication. | 1946 (Choral Score, English, AMP) 1948 (Choral Score, English/German, Schott) 1948 (Vocal Score, English, AMP) 1948 (Vocal Score, English/German, Schott) 1986 (Full Score, SW VII/2) |
Librettist | Walt Whitman (1819-1892); German translation by composer |
Language | English/German |
Dedication | Collegiate Chorale, New York (commissioned by its conductor, Robert Shaw). |
Average DurationAvg. Duration | 63 minutes |
Composer Time PeriodComp. Period | Modern |
Piece Style | Modern |
Instrumentation | voices, chorus, orchestra |
Related Works | Nine English Songs (No.5) |
External Links | Wikipedia article Hindemith Foundation |
No. 5 (Arioso, Sing on, there in the swamp) is an orchestration of one of the Nine English Songs. Hindemith performed the prelude numerous times as a separate concert item. Baritone soloist in the premiere performance better known as George London, and sang the same part under the latter name on Hindemith's recording for Columbia.