Violin Concerto No.1, Op.74 (Stanford, Charles Villiers)

Movements/SectionsMov'ts/Sec's	3 movements. Allegro Canzona. Andante Allegro moderato
Composition Year	1899 October - November
Genre Categories	Concertos; For violin, orchestra; Scores featuring the violin; Scores featuring the orchestra; For orchestra with soloists; For violin, piano (arr); For 2 players (arr); Scores featuring the violin (arr); Scores featuring the piano (arr)

Sheet Music

Arrangements and Transcriptions

For Violin and Piano

Violin and Piano Score
*#281038 - 5.53MB, 42 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 369×⇩ - Afp0815

PDF scanned by afp0815
Afp0815 (2013/5/14)

Violin Part
*#281039 - 2.00MB, 16 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 474×⇩ - Afp0815

PDF scanned by afp0815
Afp0815 (2013/5/14)

Arranger	Enrique Fernández Arbós (1863–1939), cadenza
Publisher. Info.	Leipzig: Breitkopf und Härtel, 1904. Plate V.A. 2029.
Copyright	Public Domain [tag/del/mrg]
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General Information

Work Title	Violin Concerto No.1
Alternative. Title
Composer	Stanford, Charles Villiers
Opus/Catalogue NumberOp./Cat. No.	Op.74
Internal Reference NumberInternal Ref. No.	ICS 106
Key	D major
Movements/SectionsMov'ts/Sec's	3 movements. Allegro Canzona. Andante Allegro moderato
Year/Date of CompositionY/D of Comp.	1899 October - November
First Performance.	1901 March 7, composer conducting, Bournemouth Municipal Orchestra, E.F. Arbós, violin
First Publication.	1904 or earlier
Dedication	To my friend E.F. Arbós (Enrique Fernández Arbós (1863–1939))
Average DurationAvg. Duration	35–40 minutes
Composer Time PeriodComp. Period	Romantic
Piece Style	Romantic
Instrumentation	Violin, Orchestra
External Links	PDF Notes to Hyperion Records Recording of the Concerto

Navigation etc.

The 160-page (ms-copy published) full score (&parts, as noted in the PDF above) can be read but not borrowed (i.e. reference-only) at the Royal College of Music London (according to the RCM Online Catalogue.)

An earlier violin concerto completed September 1875 in the same key (dedicated to Guido Papini, but possibly never - and still never, as of September 2015- performed) survives (complete) in manuscript and is described in detail in Dibble's Charles Villiers Stanford: Man and Musician (p.72, elsewhere).