Performances
Recordings
Sonata sopra 'Sancta Maria ora pro nobis' (No.11)
| Publisher Info.
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Archive Production – ARC 3005, Archive Production – 14538 APM, 1956.
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| Performers
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Sopranos of the Choir of the St. Hedwigs Cathedral (Berlin and chamber orchestra)
Carl Gorvin (conductor)
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| Copyright
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| Misc. Notes
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Vinyl, LP, Mono - Enregistrements sonores de sources diverses
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Ave maris stella (No.12)
| Performer Pages
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Cantores Carmeli Linz (chorus)
Michael Stenov (director)
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| Publisher Info.
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Michael Stenov, 2011.
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| Copyright
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| Misc. Notes
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Live recording from the Karmelitenkirche Linz 2011
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Naxos
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Synthesized/MIDI
Lauda Jerusalem Dominum (No.10)
| Publisher Info.
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Moriwaki Michio
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| Performers
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Synthesized MIDI
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| Copyright
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| Misc. Notes
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These file(s) are part of the Werner Icking Music Collection.
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Sheet Music
Full Scores
Complete
| Editor
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Jerome Roche (1942–1994)
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| Publisher. Info.
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London: Ernst Eulenburg & Co., No.8024, 1994. Plate EE 6839. URTEXT EDITION
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.
In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).
You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.
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Lauda Jerusalem Dominum (No.10)
Sonata sopra 'Sancta Maria ora pro nobis' (No.11)
Magnificat (II) (No.14)
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Karl Matthaei (1897–1960)
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| Publisher. Info.
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Kassel: Bärenreiter, 1941. Plate BA 1867.
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| Copyright
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| Misc. Notes
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From the uploader's library.
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| Editor
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Daniel Van Gilst (b. 1942)
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| Publisher. Info.
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Daniel Van Gilst, 2016.
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| Copyright
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| Misc. Notes
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Layout optimized for digital tablets - Basse d’archet, Orgue, Partition A4.
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Parts
⇒ 23 more: Fifara 2 • Flauto 1 • Flauto 2 • Cornetto 1 • Cornetto 2 • Cornetto 3 • Trombone 1 • Trombone 2 • Trombone 3 • Violino da brazzo 1 • Violino da brazzo 2 • Viuola da brazzo 1 • Viuola da brazzo 2 • Viuola da brazzo 3 • Viuola da brazzo 4 • Contrabasso da gamba • Instrumental Cantus • Instrumental Altus • Instrumental Tenor • Instrumental Bassus • Instrumental Quintus • Instrumental Sextus • Bassus generalis
| Editor
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Jerome Roche (1942–1994)
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| Publisher. Info.
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London: Ernst Eulenburg & Co., 1994. Plate EOS 8024. URTEXT EDITION
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.
In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).
You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.
More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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⇒ 18 more: Flauto 2 [Tenor Recorder 2] • Fifara 1 [Flute 1] • Fifara 2 [Flute 2] • Cornetto 1 [Cornett 1] • Cornetto 2 [Cornett 2] • Cornetto 3/4 (muto) [Cornett 3/4 (mute)] • Trumpet 1 (in D, alternative to Cornett 1) • Trumpet 2 (in D, alternative to Cornett 2) • Trumpet 3 (in B♭, alternative to Cornett 3/4) • Violino da brazzo 1 [Violin 1] • Violino da brazzo 2 [Violin 2] • Violino da brazzo 3 [Violin 3] (alternative to Viola 1) • Viuola da brazzo 1 [Viola 1] • Viuola da brazzo 2 [Viola 2] • Viuola da brazzo 3 [Viola 3] (alternative to Cello 1) • Viuola da brazzo 3 [Cello 1] • Viuola da brazzo 4 [Cello 2] • Contrabasso da gamba [Double Bass]
| Editor
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Jeffrey G. Kurtzman (b. 1940)
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| Publisher. Info.
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Oxford: Oxford University Press, 1999. URTEXT EDITION
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.
In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).
You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.
More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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Vocal Scores
⇒ 11 more: 1. Domine ad adiuvandum (No.1) • 2. Dixit Dominus (No.2) • 3. Laetatus sum (No.6) • 4. Laudate pueri (No.4) • 5. Nigra sum (No.3) • 6. Duo Seraphim (No.7) • 7. Pulchra es (No.5) • 8. Audi caelum (No.9) • 9. Ave maris stella (No.12) • 10. Sonata sopra S. Maria (No.11) • 11. Magnificat (No.14)
Arrangements and Transcriptions
Sonata sopra 'Sancta Maria ora pro nobis' (No.11)
For Voice and Piano Quintet (Torri)
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Luigi Torri (1863–1932)
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| Publisher. Info.
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Manuscript, 1907.
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| Copyright
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| Misc. Notes
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This file is part of the Sibley Mirroring Project.
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Ave maris stella (No.12)
For 2 Mixed Choruses, 4 Trumpets, 4 Trombones and Double Bass (Stenov)
⇒ 7 more: Chorus 1 • Chorus 1 - 2 Trumpets (colla parte) • Chorus 1 - 2 Trombones (colla parte) • Chorus 2 • Chorus 2 - 2 Trumpets (colla parte) • Chorus 2 - 2 Trombones (colla parte) • Double Bass
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Michael Stenov (b. 1962)
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| Publisher. Info.
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Michael Stenov
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| Copyright
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For 8 Recorders (Wiebes)
| Arranger
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Jaap Wiebes
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| Publisher. Info.
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Jaap Wiebes
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| Copyright
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General Information
| Work Title
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Vespro della Beata Vergine
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| Alternative. Title
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Title-page transcription
- Sanctissimæ Virgini / Missa senis vocibvs / ac Vesperæ plvribvs / decantandæ, / cvm nonnvllis sacris concentibvs, / ad Sacella siue Principum Cubicula accommodata. / Opera / a Clavdio Monteverde / nuper effecta / ac Beatiss. Pavlo V. Pont. Max. consecrata. / Venetijs, Apud Ricciardum Amadinum. / M D C X.</span>
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| Composer
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Monteverdi, Claudio
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| Opus/Catalogue NumberOp./Cat. No.
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SV 206
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| Internal Reference NumberInternal Ref. No.
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ICM 99
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| Movements/SectionsMov'ts/Sec's
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14 sections:
- I. Domine ad adiuvandum me festina
- II. Dixit dominus
- III. Nigra sum
- IV. Laudate pueri dominum
- V. Pulchra es amica mea
- VI. Laetatus sum
- VII. Duo Seraphim clamabant
- VIII. Nisi dominus
- IX. Audi coelum
- X. Lauda Jerusalem dominum
- XI. Sonata sopra 'Sancta Maria ora pro nobis', SV 206:11
- XII. Ave maris stella, SV 206:12 (206a:11)
- Ave maris stella
- Sumens illud ave
- Solve vincla reis
- Monstra te esse matrem
- Virgo singularis
- Vitam praesta puram
- Sit laus deo patri
- XIII. Magnificat (I), SV 206:13
- XIV. Magnificat (II), SV 206a:12
- Magnificat
- Et exultavit
- Quia respexit
- Quia fecit mihi magna
- Et misericordia eius
- Fecit potentiam
- Deposuit potentes de sede
- Esurientes implevit bonis
- Suscepit Israel puerum suum
- Sicut locutus est
- Gloria patri et filio
- Sicut erat in principio
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| First Publication.
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1610 in Sanctissimae Virgini Missa senis vocibus ac Vesperae pluribus decantandae (No.2)
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| Language
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Latin
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| Dedication
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Pope Paul V (Camillo Borghese, 1552–1621)
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| Composer Time PeriodComp. Period
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Baroque
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| Piece Style
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Baroque
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| Instrumentation
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Voices: 2 sopranos, alto, 3 tenors, 2 basses; 2 mixed choruses (SATTB)
Orchestra: 2 flutes, 2 tenor recorders, 3 cornettos, 3 trombones, bass trombone
strings*, continuo (organ and other instruments)
*2 violini da brazzo (violins), 3 viuole da brazzo (violas),
bass viuola da brazzo (cello), contrabasso da gamba (double bass)
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| Extra Information
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Instrumentation by section
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Navigation etc.
The instrumentation gives a slightly different number of solo voices than the tag; it is not clear which is the correct one.
_Sonata_%C3%A0_8_sopra_-Sancta_Maria_ora_pro_nobis-_(Claudio_Monteverdi)-8453.jpg)
