Tiento sexto tono, WSC 164 (Cabanilles, Juan)

Incipit
First Publication	Late 1600s in M729 [Música per a orgue]
Genre Categories	Tientos; For organ; Scores featuring the organ; For 1 player

1 Performances
- 1.1 Recordings
- 1.2 Synthesized/MIDI
2 Sheet Music
- 2.1 Scores
3 General Information
4 Navigation etc.

Performances

Recordings

No files submitted.

Synthesized/MIDI

Virtual Performance
*#458317 - 10.96MB - 15:57 - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 31×⇩ - MP3 - wrshannon

MP3 file (audio)
wrshannon (2017/2/4)

Publisher Info.	William R. Shannon
Performers	William R. Shannon
Copyright	Creative Commons Attribution-NonCommercial-ShareAlike 4.0 [tag/del]
Misc. Notes	Prototype performance
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Sheet Music

Scores

Complete Score
*#458316 - 2.50MB, 16 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 348×⇩ - wrshannon

PDF typeset by editor
wrshannon (2017/2/4)

Editor	William R. Shannon
Publisher. Info.	William R. Shannon
Copyright	Creative Commons Attribution-NonCommercial-ShareAlike 4.0 [tag/del]
Misc. Notes	Source: Biblioteca de Catalunya M729.039 These file(s) are part of the Werner Icking Music Collection.
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General Information

Work Title	Tiento sexto tono
Alternative. Title	Tiento 6° tono
Composer	Cabanilles, Juan
Opus/Catalogue NumberOp./Cat. No.	WSC 164 ; M729.039
Internal Reference NumberInternal Ref. No.	IJC 173
Key	Mode VI Hypolydian
First Publication.	Late 1600s in M729 [Música per a orgue]
Composer Time PeriodComp. Period	Baroque
Piece Style	Baroque
Instrumentation	organ

Navigation etc.

This tiento uses SS/BB counterpoint voicing in a way that suggests 'dos tiples' and/or 'dos bajos' with a manual that divides between middle C and C#. However, the upper voices often descend to middle C natural in a way that cannot be accidental (see measure 39 etc.). Whether it is intended to be performed on a divided keyboard, borrowing the middle C from the lower, or performed undivided is unknown. Wrshannon 20:25, 4 February 2017 (CET)