Tiento de falsas primer tono, WSC 125 (Cabanilles, Juan)

Incipit
First Publication	1695 or later in M387 [Versets, tientos, gallardes, folies, etc., pera orgue]
Genre Categories	Tientos; For organ; Scores featuring the organ; For 1 player

1 Performances
- 1.1 Recordings
- 1.2 Synthesized/MIDI
2 Sheet Music
- 2.1 Scores
3 General Information
4 Navigation etc.

Performances

Recordings

No files submitted.

Synthesized/MIDI

Virtual performance
*#400581 - 8.03MB - 5:51 - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 67×⇩ - MP3 - wrshannon

MP3 file (audio)
wrshannon (2015/11/24)

Publisher Info.	William R. Shannon
Performers	William R. Shannon
Copyright	Creative Commons Attribution-NonCommercial-ShareAlike 4.0 [tag/del]
Misc. Notes	Prototype performance
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Sheet Music

Scores

Complete score
*#400580 - 0.93MB, 4 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 717×⇩ - wrshannon

PDF typeset by editor
wrshannon (2015/11/24)

Editor	William R. Shannon
Publisher. Info.	William R. Shannon
Copyright	Creative Commons Attribution-NonCommercial-ShareAlike 4.0 [tag/del]
Misc. Notes	Source: Biblioteca de Catalunya M387.180 These file(s) are part of the Werner Icking Music Collection.
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General Information

Work Title	Tiento de falsas 1° tono, WSC 125
Alternative. Title
Composer	Cabanilles, Juan
Opus/Catalogue NumberOp./Cat. No.	WSC 125 ; M387.180
Internal Reference NumberInternal Ref. No.	IJC 52
Key	Mode I Dorian
First Publication.	1695 or later in M387 [Versets, tientos, gallardes, folies, etc., pera orgue]
Composer Time PeriodComp. Period	Baroque
Piece Style	Baroque
Instrumentation	organ

Navigation etc.

It appears that in this tiento that Cabanilles is making use of the blending effect of a reverberant space as part of the composition. This piece is very different if performed 'dry' and at a fast tempo, and sounds odd (to me) and is less effective when performed in that way. See also Tiento octavo tono Correado, WSC 42 especially, for a similar use of reverberant space. Wrshannon 16:04, 24 November 2015 (EST)