The Lily Nymph (Chadwick, George Whitefield)

Movements/SectionsMov'ts/Sec's 8 (7 scenes and epilogue)
Composition Year 1894–95
Genre Categories Secular choruses; Choruses; Symphonic poems; For 4 voices, mixed chorus, orchestra; For voices and chorus with orchestra; Scores featuring the voice; Scores featuring the soprano voice; Scores featuring the tenor voice; Scores featuring the bass voice; Scores featuring mixed chorus; Scores featuring the orchestra; English language

Sheet Music

Vocal Scores

 Complete Score
#66175 - 6.91MB, 97 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 241×⇩ - Carolus

PDF scanned by Google (Harvard)
Carolus (2010/6/3)

Language English
Publisher. Info. Boston: Arthur P. Schmidt, 1895. Plate A.P.S. 3829.
Copyright
Public Domain [tag/del]
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General Information

Work Title The Lily Nymph
Alternative. Title Dramatic Poem for Solo Voices, Chorus and Orchestra
Composer Chadwick, George Whitefield
Opus/Catalogue NumberOp./Cat. No. F.84
Internal Reference NumberInternal Ref. No. IGC 36
Movements/SectionsMov'ts/Sec's 8 (7 scenes and epilogue)
Year/Date of CompositionY/D of Comp. 1894–95
First Performance. 1895-12-07
Carnegie Hall, New York City, United States
New York Musical Society, led by Frank G. Dossert
First Publication. 1895
Librettist Arlo Bates (1850–1918)
Language English
Dedication Philharmonic Society of Montreal
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation Voices: soprano, tenor, 2 basses + mixed chorus (SATB)
Orchestra

Navigation etc.

Described as a cantata by Faucett (and, it seems, by the composer himself- "his 'dramatic cantata'"... in Faucett (2012), George Whitefield Chadwick: The Life and Music of the Pride of New England, pp.141–44.

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