The Immortal Hour (Boughton, Rutland)

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Movements/SectionsMov'ts/Sec's 2 acts
Composition Year 1912-13 (finished 1913 December)
Genre Categories Operas; Theatrical Works; For voices, mixed chorus, orchestra; Scores featuring the voice; Scores featuring mixed chorus; Scores featuring the orchestra; For voices and chorus with orchestra; English language

Contents

Performances

Sheet Music

Vocal Scores

 Complete Score
#103222 - 13.32MB, 215 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/31 - 678×⇩ - Cypressdome

PDF scanned by HathiTrust
Cypressdome (2011/5/27)

Publisher. Info. London: Stainer & Bell, 1920. Plate S. & B. 2282.
Copyright
Public Domain - Non-PD EU [tag/del]
Misc. Notes Original scans: 300dpi, grayscale jpg2000 files approximately 2000 by 3000 pixels. Converted to black and white tif files, de-skewed, re-sampled to 600dpi, and set uniform margins.
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General Information

Work Title The Immortal Hour
Alternative. Title Music drama
Composer Boughton, Rutland
Internal Reference NumberInternal Ref. No. IRB 5
Movements/SectionsMov'ts/Sec's 2 acts
Year/Date of CompositionY/D of Comp. 1912-13 (finished 1913 December)
First Performance. 1914-08-26 – Glastonbury, Glastonbury Festival
Frederic Austin (Eochaidh), Irene Lemon (Etain), Rutland Boughton (Dalua),
Arthur Jordan (Midir), Neville Strutt (Manus), Agnes Thomas (Maive),
Muriel Boughton (spirit voice), Arthur Trowbridge (old bard), Kennedy Scott (conductor)
  • 1915-1-7 - Winter Gardens (first performance with orchestra)
First Publication. 1920 – London: Stainer & Bell
Librettist William Sharp (1855–1905) writing under the pseudonym Fiona MacLeod
Language English
Dedication To Christina
Average DurationAvg. Duration 125 minutes
Composer Time PeriodComp. Period Early 20th century
Piece Style Romantic
Instrumentation Soprano (Etain), 2 mezzo-soprano (Maive, spirit voice), tenor (Midir), baritone (Eochaidh), 3 bass (Dalua, Manus, old bard) + mixed chorus (SATB), orchestra
External Links Wikipedia article
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