String Quartet in G major, B.349 (Pleyel, Ignaz)

Genre Categories Quartets; For 2 violins, viola, cello; Scores featuring the violin; [25 more...]Scores featuring the viola; Scores featuring the cello; For 4 players; Sacred hymns; Hymns; Religious works; For voice, harpsichord (arr); For voices with keyboard (arr); Scores featuring the voice (arr); Scores featuring the harpsichord (arr); For 2 voices, harpsichord (arr); For voices with solo instruments (arr); For 3 voices, harpsichord; For voices with keyboard; Scores featuring the voice; Scores featuring the harpsichord; English language; For harpsichord; For 1 player; For violin, viola, cello, piano (arr); Scores featuring the violin (arr); Scores featuring the viola (arr); Scores featuring the cello (arr); Scores featuring the piano (arr); For 4 players (arr)
Related Works 6 String Quartets, B.346-351

Sheet Music

Arrangements and Transcriptions

For Violin, Viola, Cello and Piano (Clementi)
Arranger Muzio Clementi (1752–1832)
Publisher. Info. Paris: Imbault, n.d.(ca.1788). Plate 145.
Copyright
Public Domain
Misc. Notes This file is part of the Submission Project.
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Arranger Muzio Clementi (1752–1832)
Publisher. Info. London: Longman & Broderip, n.d.
Copyright
Public Domain
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2. Andante and Variations

For 1-3 Voices and Harpsichord, and Harpsichord solo
Editor Unidentified
Language English
Translator Charles Wesley (1707–1788)
Publisher. Info. London: Clementi & Co., n.d.(ca.1821).
Copyright
Public Domain
Misc. Notes Page 1 is vocal score; then 5 variations on next pages. This arrangement also previously published by Preston (ca.1795). Watermark 1821.
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General Information

Work Title String Quartet in G major
Alternative. Title
Composer Pleyel, Ignaz
Opus/Catalogue NumberOp./Cat. No. B.349
Internal Reference NumberInternal Ref. No. IIP 112
Key G major
Language 1788
Composer Time PeriodComp. Period Classical
Piece Style Classical
Instrumentation 2 violins, viola, cello
Related Works 6 String Quartets, B.346-351
Extra Information The theme of the Andante gained great popularity after it was arranged as a hymn c.1790.
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