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2 Fantasies on motifs from La straniera by Bellini (Books 8 and 9)
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First edition
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| Publisher. Info.
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Milan: Jean Ricordi, n.d.[1833]. Plate 7026.
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| Misc. Notes
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Original images: 150dpi, grayscale jpg files approx. 1440 by 1870 pixels. Editing: re-sampled to 600dpi, converted to black and white tif files, de-skewed, and set uniform margins. #356008 – Resized, Cleaned, Cropped, Restored & Improved: Printing format A4
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| Publisher. Info.
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Paris: Maurice Schlesinger, n.d.[1833 or 1834]. Plate M.S. 1719.
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| Copyright
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| Misc. Notes
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From the uploader's library. Torn and poorly repaired copy. Barely legible 'Plate M.S. 1718-19' on Title Page. The mention 'Livre' is followed by emptiness or a faded out number.
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3 Fantasies on the motifs of Norma by Bellini (Books 25–27)
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Milan: Gio. Ricordi, n.d. Plate 7144.
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2 Fantasies on motifs from I puritani by Bellini (Books 36 and 37)
| Editor
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First edition
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| Publisher. Info.
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Milan: J. Ricordi, n.d.[1835]. Plate 8882.
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| Copyright
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| Misc. Notes
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Cah(iers). 36 and 37 published sometime around 1835 by Diabelli according to HMB and apparently in the same year by Ricordi. No.2 has approximate duration 15 minutes.
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- See: 3 Fantaisies brillantes sur les motifs de 'Lucia di Lammermoor', Op.383
| Publisher. Info.
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Vienna: Ant. Diabelli, n.d. Plate D. & C. No.6544.
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- See: 3 Fantaisies sur les motifs favoris du 'Marino Faliero', Op.393
- See: 3 Fantasie brillanti su 'Il furioso all'isola di San Domingo', Op.328
- See: 3 Fantasie brillanti su 'Parisina', Op.327
3 Fantasies on the motifs from Vielka (Books 88–90)
| Publisher. Info.
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Vienna: Diabelli et Comp., n.d. Plates D. & C. No.8564, 8566.
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General Information
| Work Title
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Souvenir théâtral
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| Alternative. Title
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Collection périodique des fantaisies élégantes sur les motifs les plus favoris de nouveaux opéras
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| Composer
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Czerny, Carl
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| Opus/Catalogue NumberOp./Cat. No.
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Op.247
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| Internal Reference NumberInternal Ref. No.
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ICC 237
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| Movements/SectionsMov'ts/Sec's
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90?:
- Fra Diavolo No.1 in D major
- Fra Diavolo No.2 in G major
- Fra Diavolo No.3 in A major
- Joconde in D major
- Fiorella in B♭ major
- La fiancée [No.1] in A major
- La fiancée No.2 in F major
- La straniera (Bellini) No.1
- La straniera (Bellini) No.2
- La bayadère amoureuse (Auber) No.1
- La bayadère amoureuse (Auber) No.2
- Marie (Hérold)
- Adelaide / Adelheid von Frankreich (Pugny)
- Le philtre / Der Liebestrank (Auber)
- Zampa (Hérold) No.1
- Zampa (Hérold) No.2
- Anna Bolena (Donizetti) No.1
- Anna Bolena (Donizetti) No.2
- I Capuleti e i Montecchi (Bellini) No.1
- I Capuleti e i Montecchi (Bellini) No.2
- Robert le diable (Meyerbeer) No.1
- Robert le diable (Meyerbeer) No.2
- Robert le diable (Meyerbeer) No.3
- Robert le diable (Meyerbeer) No.4
- Norma (Bellini) No.1
- Norma (Bellini) No.2
- Norma (Bellini) No.3
- La sonnambula (Bellini) No.1
- La sonnambula (Bellini) No.2
- La sonnambula (Bellini) No.3
- Le pré aux clercs (Hérold) No.1
- Le pré aux clercs (Hérold) No.2
- Le serment (Auber) No.1
- Le serment (Auber) No.2
- Le serment (Auber) No.3
- I puritani (Bellini) No.1
- I puritani (Bellini) No.2
- Le bal masqué (Auber) No.1
- Le bal masqué (Auber) No.2
- Le bal masqué (Auber) No.3
- Le cheval de bronze (Auber)
- L'elisir d'amore (Donizetti) No.1 (Op.325 No.1)
- L'elisir d'amore (Donizetti) No.2 (Op.325 No.2)
- L'elisir d'amore (Donizetti) No.3 (Op.325 No.3)
- Belisario (Donizetti) No.1
- Belisario (Donizetti) No.2
- Belisario (Donizetti) No.3
- Jessonda (L. Spohr)
- Beatrice di Tenda No.1 (Op.342 No.1)
- Beatrice di Tenda No.2 (Op.342 No.2)
- Beatrice di Tenda No.3 (Op.342 No.3)
- 3 Fantaisies brillantes sur les motifs de 'Lucia di Lammermoor', Op.383 No.1
- 3 Fantaisies brillantes sur les motifs de 'Lucia di Lammermoor', Op.383 No.2
- 3 Fantaisies brillantes sur les motifs de 'Lucia di Lammermoor', Op.383 No.3
- Il giuramento (Mercadante) No.1
- Il giuramento (Mercadante) No.2
- Il giuramento (Mercadante) No.3
- Gemma di Vergy (G. Donizetti) No.1
- Gemma di Vergy (G. Donizetti) No.2
- Gemma di Vergy (G. Donizetti) No.3
- 3 Fantaisies sur les motifs favoris du 'Marino Faliero', Op.393 No.1
- 3 Fantaisies sur les motifs favoris du 'Marino Faliero', Op.393 No.2
- 3 Fantaisies sur les motifs favoris du 'Marino Faliero', Op.393 No.3
- Lucrezia Borgia (G. Donizetti) No.1 (Op.387 No.1)
- Lucrezia Borgia (G. Donizetti) No.2 (Op.387 No.2)
- Lucrezia Borgia (G. Donizetti) No.3 (Op.387 No.3)
- 3 Fantasie brillanti su 'Il furioso all'isola di San Domingo', Op.328 No.1
- 3 Fantasie brillanti su 'Il furioso all'isola di San Domingo', Op.328 No.2
- 3 Fantasie brillanti su 'Il furioso all'isola di San Domingo', Op.328 No.3
- 3 Fantasie brillanti su 'Parisina', Op.327 No.1
- 3 Fantasie brillanti su 'Parisina', Op.327 No.2
- 3 Fantasie brillanti su 'Parisina', Op.327 No.3
- Linda di Chamounix (Donizetti) No.1 (Op.708 No.1)
- Linda di Chamounix (Donizetti) No.2 (Op.708 No.2)
- Linda di Chamounix (Donizetti) No.3 (Op.708 No.3)
- Linda di Chamounix (Donizetti) No.4 (Op.708 No.4)
- Don Pasquale (Donizetti) No.1
- Don Pasquale (Donizetti) No.2
- Don Pasquale (Donizetti) No.3
- Don Pasquale (Donizetti) No.4
- Maria di Rohan (G. Donizetti) No.1
- Maria di Rohan (G. Donizetti) No.2
- Maria di Rohan (G. Donizetti) No.3
- Maria di Rohan (G. Donizetti) No.4
- Les quatre fils d'Aymon (Balfe) No.1 (p4h)
- Les quatre fils d'Aymon (Balfe) No.2 (p4h)
- Les quatre fils d'Aymon (Balfe) No.3 (p4h)
- Vielka (G. Meyerbeer) No.1
- Vielka (G. Meyerbeer) No.2
- Vielka (G. Meyerbeer) No.3
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| First Publication.
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1830?
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| Copyright Information
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see below (some [all?] also for piano 4 hands)
- Monatsbericht (1830), p.86 (Nos.1–3)
- Monatsbericht (1831), p.40 (Nos.4–6)
- Monatsbericht (1832), p.6 (No.7)
- Monatsbericht (1832), p.38 (Nos.8–14)
- Monatsbericht (1832), p.56 (Nos.15, 16)
- Monatsbericht (1832), p.88 (Nos.17–20)
- Monatsbericht (1833), p.7 (Nos.21–24)
- Monatsbericht (1833), p.54 (Nos.25–27)
- Monatsbericht (1834), p.40 (Nos.28–30)
- Monatsbericht (1834), p.94 (Nos.31, 32)
- Monatsbericht (1835), p.39 (No.33)
- Monatsbericht (1835), p.53 (Nos.34, 35)
- Monatsbericht (1835), p.103 (Nos.36, 37)
- Monatsbericht (1836), p.40 (Nos.38–41)
- Monatsbericht (1836), p.86 (Nos.42–46)
- Monatsbericht (1836), p.103 (No.47)
- Monatsbericht (1837), p.21 (No.48)
- Monatsbericht (1837), p.134 (Nos.49, 50)
- Monatsbericht (1838), p.4 (Nos.50, 51)
- Monatsbericht (1838), p.69 (Nos.52–54)
- Monatsbericht (1838), p.134 (Nos.55–57)
- Monatsbericht (1838), p.182 (Nos.58–60)
- Monatsbericht (1839), p.102 (Nos.61–63)
- Monatsbericht (1839), p.134 (Nos.64–66)
- Monatsbericht (1842), p.54 (Nos.67–72)
- Monatsbericht (1843), p.53 (Nos.73–76)
- Monatsbericht (1844), p.119 (Nos.77–80)
- Monatsbericht (1845), p.5 (Nos.81–84)
- Monatsbericht (1845), p.68 (Nos.85–87 [p4h])
- Monatsbericht (1847), p.146 (Nos.81–84, 88–90)
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| Composer Time PeriodComp. Period
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Romantic
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| Piece Style
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Romantic
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| Instrumentation
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piano
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Navigation etc.
Of several Bellini fantasies composed by Czerny (several of them on the opera I Puritani alone), Op.247 No.2 is the one played by Thomas Fischer on a 2008 Naxos Records CD (the Opus No. does not seem to be specified, at least not in the online description). - Schissel