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This work has been identified as being in the public domain in Canada, as well as countries where the copyright term is life+50 years. However, this work is probably still protected by copyright in the United States, as well as in countries where the copyright term is life+70 years (including all EU countries), unless an exception applies. See public domain for details. |
| Movements/SectionsMov'ts/Sec's | 4 parts |
|---|---|
| Composition Year | 1939 |
| Genre Categories | Paraphrases; For organ; Scores featuring the organ; For 1 player |
Complete Score (CA)
*#989330 - 1.03MB, 10 pp. - (-) - V/42/30 - Zhengxinhao
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Zhengxinhao (2025/9/3)
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| Work Title | Paraphrase |
|---|---|
| Alternative. Title | (Pour la Fête de tous les Saints, le jour des Morts, les Dimanches 24o après la Pentecôte et 1er d'Avent) pour Orgue |
| Composer | Delbos, Claire |
| Internal Reference NumberInternal Ref. No. | ICD 4 |
| Movements/SectionsMov'ts/Sec's | 4 parts |
| Year/Date of CompositionY/D of Comp. | 1939 |
| First Performance. | 1939/03/14 |
| First Publication. | 1946 |
| Average DurationAvg. Duration | 10 minutes |
| Composer Time PeriodComp. Period | Modern |
| Piece Style | Early 20th century |
| Instrumentation | organ |
| Extra Information | Claire Delbos’s Paraphrase (1939), subtitled “pour la Fête de tous les Saints, le jour des Morts, les Dimanches 24º après la Pentecôte et 1ᵉʳ d'Avent,” is a liturgical organ work premiered by her husband Olivier Messiaen (1908–1992) on 14 March 1939 at the Église de la Sainte-Trinité, Paris, published by Henry Lemoine in 1946, and noted for its dense textures and apocalyptic character that elicited sharply divided contemporary criticism. |
