Markus-Passion, H.787 (Bach, Carl Philipp Emanuel)

Movements/SectionsMov'ts/Sec's 30 movements
Composition Year 1773/74
Genre Categories Sacred oratorios; Oratorios; Religious works; Passions; For 6 voices, mixed chorus, orchestra; For voices and chorus with orchestra; Scores featuring the voice; Scores featuring the soprano voice; Scores featuring the alto voice; Scores featuring the tenor voice; Scores featuring the bass voice; Scores featuring mixed chorus; Scores featuring the orchestra; German language

Sheet Music

Parts

 Complete Parts
#734564 - 104.87MB, 304 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 30×⇩ - BachFan

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BachFan (2021/9/25)

Copyist Otto Ernst Gregorius Schieferlein (1704–1787)
Publisher. Info. Manuscript, 1773/74.
Copyright
Public Domain [tag/del]
Misc. Notes The Archive of the Sing-Akademie zu Berlin (D-Bsa): SA 24
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General Information

Work Title Markus-Passion
Alternative. Title Passio secundum Marcum; O Haupt voll Blut und Wunden; Passio secundum Marcum Anno 1774
Composer Bach, Carl Philipp Emanuel
Opus/Catalogue NumberOp./Cat. No. H. 787; Wq. deest
Internal Reference NumberInternal Ref. No. ICB 300
Key D minor
Movements/SectionsMov'ts/Sec's 30 movements
Year/Date of CompositionY/D of Comp. 1773/74
First Performance. 1774-02-20 Petrikirche Hamburg
Librettist Unknown Librettist
Language German
Dedication Quadragesima Sunday/1st Sunday in Lent (Invocavit)
2nd Sunday in Lent (Reminiscere)
4th Sunday in Lent (Laetare)
5th Sunday in Lent (Judica; "Passion Sunday")
6th Sunday in Lent (Palm Sunday)
Maundy Thursday
Good Friday (Parasceve)
Composer Time PeriodComp. Period Classical
Piece Style Classical
Instrumentation voices, chorus, orchestra
InstrDetail
Voices: (SATTBB)
1st Maid (soprano), 2nd Maid (soprano)
Judas (alto), A Jew (alto)
Evangelist (tenor), Peter (tenor), Pilate (tenor), 1st False Witness (tenor)
Jesus (bass), 2nd False Witness (bass), High Priest (bass)
Mixed Chorus: (SATB)
Orchestra: 2 flutes, 2 oboes, 2 horns, violoncello solo, strings, continuo
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