This list is manually maintained, therefore some of the available pieces may not yet be linked from this page. For an automatically generated alphabetical list of all available pieces, please see Category:Bonis, Mel. A list of works in the composer category that are not included here can be found on this page. Please consult the manual of style for creating composer work lists.
Op.57 - Berceuse de Noël pour les enfants for voice and piano (self-published, 1903, using pseudonym "L. de Poul ar Feuntun"); text by the composer; 2nd edition with text by Léon Rimbault (L. Grus, 1904)
Op.58 - La Mer! (mélodie italienne) for voice and piano (self-published, 1903, using pseudonym "L. de Poul ar Feuntun"); text by the composer
Op.59 - Suite en trio for flute, violin and piano (E. Demets, 1903)
Sérénade
Pastorale
Scherzo
Op.60 - À Suzanne for voice and piano (E. Demets, 1904); text by Cécile Guinand
Op.61 - Sorrente for voice and piano (E. Demets, 1904); text by Cécile Guinand
Op.62 - Bourrée for piano (E. Demets, 1904)
Op.63 - Largo in E major for violin and piano, transcribed from a work attributed to Handel (E. Demets, 1904)
Op.64 - Flute Sonata in C-sharp minor (E. Demets, 1904)
Andantino con moto
Scherzo vivace
Adagio
Finale moderato
Op.65 - Adagio in E-flat minor for organ (Carrara, 1971)
Op.112 - Violin Sonata in A major (Maurice Senart, 1923)
Moderato
Presto
Lento
Finale con moto
Op.113 - 2 Pièces for piano (Maurice Senart, 1924)
Chevaux de bois
Pavane pour Nanine
Op.114 - Suite in C major for violin and piano (Furore, 2006)
Jour de fête
Idylle (ou Sous la ramée)
Cortège champêtre
Op.115 - Près du moulin for piano (Maurice Senart, 1926)
Op.116 - 17 Pièces enfantines for piano (Max Eschig, 1926); see Wikipedia page for listing of pieces
Opp.117-21 - 5 Petites pièces for piano (Maurice Senart, 1929); Une flûte soupire (No.1, Op.117) also arranged for flute and piano (Maurice Senart, 1936)
Une flûte soupire
Berceuse triste
Boston valse (Valse lente)
Agitato
Cloches lointaines
Op.122 - Cantique à Marie for high voice, piano or harp, with organ ad lib. (Armiane, 2005); anonymous text
Op.123 - Scènes de la forêt for flute, horn and piano; composed 1927 ca.; derives from 2 manuscripts of differing chamber ensembles: (1) first 3 movements, with title "Suite pour cor, violon et harpe chromatique" (n.d.), and (b) all 4 movements, with title "Scènes de la forêt" (dated 1927); first publications of the 4 movement version: (1) for flute, horn and piano (Kossack, 2001), (2) for flute, horn and harp (Kossack, 2001), (3) for flute, viola and harp (Marcus Schmitt, 2001)
Op.126 - Miocheries (14 scènes enfantines) for piano (Max Eschig, 1928); see Wikipedia page for listing of pieces
Op.127 - Suite dans le style ancien for flute, violin, viola (or clarinet) and piano (Kossack, 2006); also arranged for 2 flutes, oboe, clarinet, horn and 2 bassoons (Max Eschig, 1958), with different movements: (1) Prélude, (2) Fuguette, (3) Choral, (4) Badinage
Prélude
Choral
Fuguette
Divertissement
Op.128 - Chant nuptial for violin and harp or piano, with organ ad lib. (Hamelle, 1928)
Op.129 - Ariel for piano (Furore, 2006); composition from 1925-28 ca.; one of the 4 extant manuscripts is signed by the composer using the pseudonym "Melàs Bonisouffsky"
Op.130 - 6 pièces à 4 mains (dont deux très faciles) for piano 4 hands (Max Eschig, 1930)
Op.131 - O Salutaris for mixed chorus and organ (P. Schneider, 1930)
Op.132 - Sub Tuum for female chorus and organ (P. Schneider, 1930)
Op.133 - Andante et Allegro for flute and piano (P. Schneider, 1930)
Op.134 - Barcarolle in G-flat major for piano (unpublished, manuscript dated 1930)
Op.135 - Couboulambou à Paris for voice and piano (unpublished, manuscript dated 1930, composer using pseudonym "Jacques Normandin" on the manuscript); anonymous text
Op.136 - Étude in G-flat major for piano (Armiane, 1999)
Op.137 - Chanson catalane for medium voice and piano (Fortin Armiane, 2014); anonymous text
Op.138 - Dolorosa: In memoriam for piano (Armiane, 1999)
Op.139 - Choral in B-flat major for organ (La Musique sacrée, 1937)
Op.140 - Prélude (Prière, Andante religioso) in C minor for organ (Carrara, 1933)
Op.141 - Prélude in G minor for organ (Carrara, 1933)
Op.142 - 2 Cantiques de première communion (No.1: Troupe innocente) for voice (or unison chorus) and organ or piano (Hamelle, 1934); the 2nd cantique is listed under Op.146
Op.143 - Noël ancien for soprano and organ or piano (Hamelle, 1934)
Op.144 - Cantique de Jean Racine for mixed chorus, tenor or soprano soloists, organ and harp (Max Eschig, 1977)
Op.145 - Panis angelicus for soprano, tenor and organ (Delephine, 1935)
Op.146 - 2 Cantiques de première communion (No.2: Ô mystère d'amour) for voice (or unison chorus) and organ or piano (Hamelle, 1934); the 1st cantique is listed under Op.142
Op.147 - Élévation ou Communion in D major for organ (Schola cantorum, 1936)
Op.148 - 9 Pièces faciles for piano (Max Eschig, 1936); see Wikipedia page for listing of pieces
Op.149 - Communion (Adoro te) for organ or harmonium (La Musique sacrée, 1937)
Op.150 - Adoro te for mixed chorus (Armiane, 1998)
Op.151 - Communion ou Invocation for organ (Schola cantorum, 1935); transcription of Prélude in E-flat major for piano, Op.10
Op.152 - Quasi Andante for organ or harmonium (Carrara, 1933)
Op.153 - Élévation ou Communion in G major for organ or harmonium (Schola cantorum, 1935)
Op.154 - Allegretto (ou Prélude) in E-flat major for organ or harmonium (Schola cantorum, 1935)
Op.155 - Verset for organ or harmonium (Armiane, 2011)
Op.156 - Pastorale for organ (Carrara, 1971); transcription of Aux champs, Op.13
Op.157 - Pièce (Contemplation) in C major for organ (Schola cantorum, 1935)
Op.158 - Cortège nuptial for organ or harmonium (Carrara, 1933)
Op.159 - Improvisation (ou Allegretto) for organ or harmonium (Carrara, 1971)
Op.160 - Élévation in E-flat major for organ (Carrara, 1971)
Op.161 - Quasi Marcia for organ (Carrara, 1971)
Op.162 - Moderato in G (major?) for organ (Carrara, 1935)
Op.163 - Inviolata for mixed chorus (Armiane, 2000)
Op.164 - Messe a cappella for mixed chorus (Armiane, 1998)
Kyrie
Gloria
Sanctus
Agnus Dei
Op.165 - Ophélie for piano (Armiane, 1998); also arranged for orchestra (Furore, 2018)
Op.166 - Ave Verum for mixed chorus and organ (Armiane, 1998)
Op.167 - Tantum ergo for mixed chorus (Armiane, 2000)
Op.168 - Tantum ergo for 3 male voices (Armiane, 1999)
Op.169 - Salve Regina for soprano and alto (or female chorus) and organ (Armiane, 2000)
Op.170 - Kyrie in F-sharp minor for mixed chorus (Armiane, 2001)
Op.171 - Mirage for medium voice and piano (Armiane, 2000); text by Édouard Guinand
Op.172 - Chanson de printemps for high voice and piano (Armiane, 2002); text either by composer or Édouard Guinand
Op.173 - Andante religioso for organ (Armiane, 2011)
Op.174 - Vestiaire (2 chansons) for medium voice and piano (unpublished, manuscript n.d., composer using pseudonym "Fricoto Pusslink"), anonymous text
L'éléphant
Championnat
Op.175 - Au clair de la lune for mixed chorus and soprano soloist (unpublished, manuscript n.d.)
Op.176 - Ave Maria for soprano, tenor, and organ (unpublished, manuscript n.d.)
Op.177 - Boléro for piano (Furore, 2014)
Op.178 - Don Galaor for medium voice and piano (Hamelle, 1933); transcription of a song by Antoine-Louis Clapisson (1854) with text by Adolphe de Leuven
Op.179 - Idylle for organ (Armiane, 2011)
Op.180 - Le songe de Cléopâtre for piano 4 hands (Furore, 2009); also arranged for orchestra (Max Eschig, n.d.; reissued Furore, 2018)
Op.181 - Mazurka-Ballet for piano (Furore, 2015, composer using pseudonym "Pierre Domange")
Op.182 - Offertoire (grand chœur) for organ (Armiane, 2011)
Op.183 - Offertoire for organ (Armiane, 2011)
Op.184 - Rondeau en forme de canon for 3 equal voices (unpublished); text by A. Dupont
Op.185 - Symphonie burlesque for winds, percussion and piano (Fortin, 2016)
En ballade
Pique-nique
Pastorale
Retour
Op.186 - Diamant noir for piano (Furore, 2014, composer using pseudonym "Édouard Domange")
Op.187 - Scherzo (ou Final) for flute and piano (Kossack, 2008)
Op.188 - O Salutaris for tenor, baritone and organ, with violin ad lib. (Fortin Armiane, 2014)
Op.189 - Pièce for flute and piano (Kossack, 2000)
Op.190 - Boléro for chorus and soprano soloist (L. Grus, 1900, composer using pseudonym "Juan Sanchez"); text by Jules Ruelle
Op.191 - Le moulin for female chorus and piano (Hamelle, 1886)
Op.192 - Soir for violin, cello and piano (unpublished, manuscript n.d.); not to be confused with Soir, Op.76 No.1
