The table below gives the following information (where applicable):
| Op. | Title | Key | Date | Scoring | Librettists | Published | Notes |
|---|---|---|---|---|---|---|---|
| 1 | Missa in honorem Beatae Mariae Virginis | ch | 1910 | Preismesse Coppenrath | |||
| 2 | N. n. | unpubl. | considered lost | ||||
| 3 | Deutsche Kirchengesänge nebst Pange lingua (10, 2) | ch | 1910 | Coppenrath | |||
| 4 | Missa Ave verum corpus | D major | ch | 1912 | Coppenrath two hand written scores | ||
| 5 | Requiem | E minor | ch org | 1913 | Coppenrath hand written score | ||
| 6 | Missa in honorem St. Familiae | mch | 1912 | Coppenrath hand written score | |||
| 7 | Schutzengel-Messe | F major | ch org | 1911 (1912?) | Coppenrath | ||
| 8 | N. n. | unpubl. | considered lost | ||||
| 9 | Ave Maria | sop ch org | Bible (Gospel of Luke) | 1914 | Anton Böhm Augsburg hand written score | ||
| 10 | Pange lingua (12) | ch (org) | Thomas Aquinas (1225-1274) | 1913 | Coppenrath hand written score | ||
| 11 | Marianische Antiphonen (4) | ch (org?) | 1912 | hand written score dated 9. Januar 1911, ask Andreas Wiesmann | |||
| 12 | Libera (3) | ch (org) | 1913 | Coppenrath | |||
| 13 | N. n. | unpubl. | considered lost | ||||
| 14 | Predigtgesänge (8) | fch org/harm | 1913 | Coppenrath | |||
| 15 | Offertorien für die Feste des katholischen Kirchenjahres (50) | 2eq org | 1913 | Coppenrath | |||
| 16 | Liederkranz zu Ehren des hl. Antonius von Padua | fch org/harm | 1914 | Anton Böhm Augsburg hand written score dated 22. Juli 1912 bis 4. Februar 1913 | |||
| 17 | Sonntags-Offertorien für die Sonntage nach Pfingsten | fch org/harm | 1915 | Anton Böhm Augsburg hand written score dated 6. November – 11. Dezember without a year "Kriegslied" is op.19 | |||
| 18 | Deutsche Kirchenlieder (12) | fch org/harm | 1920 (1914-1915?) | Anton Böhm Augsburg hand written score dated 26. Februar 1914 – 6. März 1914 | |||
| 19 | Maria vom Siege | ch/mch org | Emanuel Geibel (1815-1884) | 1915 | Anton Böhm Augsburg Kriegslied inadvertedly assigned to op.17 | ||
| 20 | N. n. | unpubl. | considered lost | ||||
| 21 | Requiem mit Libera | C minor | ch org | 1916 | Anton Böhm Augsburg hand written score dated 14. August 1915 | ||
| 22 | Dem Vaterland | ch br? | Robert Reinick (1805-1852) | 1916 | Anton Böhm Augsburg | ||
| 23 | N. n. | unpubl. | considered lost | ||||
| 24 | N. n. | unpubl. | considered lost | ||||
| 25 | Missa Salve Regina pacis | G minor | 1916 | ch/mch org | 1919 | Anton Böhm Augsburg | |
| 26 | Messe | As major | fch org | 1924 | Anton Böhm Augsburg | ||
| 1000 | Trauungsgesang | v org/pf | two hand written scores found dated „Rain / Lech 30. Nov. 1901“ | ||||
| 0 | Alleluja / Confirma hoc Graduale / Offertorium in Dom. Pentecostes | mch | hand written score and voices | ||||
| 0 | Locus iste / Domine Deus Graduale / Offertorium für Kirchweihsonntag | mch | hand written score and voices | ||||
| 0 | Klavierlied | v pf | hand written score dated „Lauingen, 1. April“ | ||||
| 0 | Dem Künstler | v pf? | hand written score dated „Lauingen, 8. Dezember 97“ | ||||
| 0 | Heimatliedchen | v ch/mch? | hand written score | ||||
| 0 | Grüße aus den Allgäuer Bergen | Anton Böhm Augsburg |