Performances
Sheet Music
Scores and Parts
Parte primo
PDF typeset by Albert Folop
Afolop (2011/11/15)
⇒ 8 more: Engraving files (Personal composer) • Treble viol 1 • Treble viol 2 • Tenor viol 1, alto clef • Tenor viol 1, octave treble clef • Tenor viol 2, alto clef • Tenor viol 2, octave treble clef • Bass viol
ZIP typeset by Albert Folop
Afolop (2011/11/15)
PDF typeset by Albert Folop
Afolop (2011/11/15)
PDF typeset by Albert Folop
Afolop (2011/11/15)
PDF typeset by Albert Folop
Afolop (2011/11/15)
PDF typeset by Albert Folop
Afolop (2011/11/15)
PDF typeset by Albert Folop
Afolop (2011/11/15)
PDF typeset by Albert Folop
Afolop (2011/11/15)
PDF typeset by Albert Folop
Afolop (2011/11/15)
Parte seconda
PDF typeset by Albert Folop
Afolop (2011/11/12)
⇒ 9 more: Engraving files (Personal composer) • Treble viol 1 • Treble viol 2 • Tenor viol 1, treble clef • Tenor viol 1, alto clef • Tenor viol 1, octave treble clef • Tenor viol 2, alto clef • Tenor viol 2, octave treble clef • Bass viol
ZIP typeset by Albert Folop
Afolop (2011/11/12)
PDF typeset by Albert Folop
Afolop (2011/11/12)
PDF typeset by Albert Folop
Afolop (2011/11/12)
PDF typeset by Albert Folop
Afolop (2011/11/12)
PDF typeset by Albert Folop
Afolop (2011/11/12)
PDF typeset by Albert Folop
Afolop (2011/11/12)
PDF typeset by Albert Folop
Afolop (2011/11/12)
PDF typeset by Albert Folop
Afolop (2011/11/12)
PDF typeset by Albert Folop
Afolop (2011/11/12)
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General Information
Work Title
|
Latral
|
Alternative. Title
|
|
Composer
|
Mico, Richard
|
I-Catalogue NumberI-Cat. No.
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IRM 9
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Movements/SectionsMov'ts/Sec's
|
2 parts
|
Composer Time PeriodComp. Period
|
Renaissance
|
Piece Style
|
Renaissance
|
Instrumentation
|
5 viols (+ organ ad lib. ?)
|
Navigation etc.
"Possibly the most interesting of [Mico's] compositions is the five-part Latral, the title of which is derived from the text of the second part of Monteverdi's madrigal Vattene pur, crudel, con quella pace (La tra'l sangu'e le morti). It is divided into two sections: the first an arrangement of the second part of the madrigal, and the second Mico's ‘response’, in which he mirrors Monteverdi's descending chromaticism with an equivalent ascending passage." — J.S. Bennet and Andrew J. Hanley. "Mico, Richard." In Grove Music Online. Oxford Music Online, [1] (accessed July 28, 2012).