La Tempesta, MS 52 (Paganini, Niccolò)

Collaborative Work
This work was co-authored by Niccolò Paganini and Joseph Panny


Movements/SectionsMov'ts/Sec's 8 sections
Composition Year 1828
Genre Categories Variations; Sonatas; For violin, orchestra; Scores featuring the violin; Scores featuring the orchestra; For orchestra with soloists; For violin, piano (arr); For 2 players (arr); Scores featuring the violin (arr); Scores featuring the piano (arr)

Sheet Music

Arrangements and Transcriptions

For Violin and Piano (Dacci)

 Complete Score
#808289 - 61.20MB, 49 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 37×⇩ - 已穿了的龍

PDF scanned by BdT
已穿了的龍 (2022/8/30)

Arranger Giusto Dacci (1840–1915)
Publisher. Info. Holograph manuscript, n.d.[1912].
Copyright
Public Domain [tag/del]
Misc. Notes This manuscript is from Biblioteca Digitale Trentina / Trentino Digital Library. Francesca Deflorian's Thesis on Anzoletti's works actually overlooked this, and miscatagorise this as the identical title work by Marco Anzoletti. The year is not really sure, since this is listed as 1912, which is the same year the aforementioned work is created.
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General Information

Work Title La Tempesta
Alternative. Title La Grande Sonata drammatica
Composer Paganini, Niccolò
Opus/Catalogue NumberOp./Cat. No. MS 52
Internal Reference NumberInternal Ref. No. None [force assignment]
Movements/SectionsMov'ts/Sec's 8 sections:
  1. Preludio di Turbine (E♭ minor)
  2. Princi[p]io della Tempesta
  3. Preghiera: Allegretto (G♭ major)
  4. Allarme Marittimo: Allegro Maestoso (B♭ minor)
  5. Gran Tempesta: Allegro moto
  6. Allarme Marittimo: Allegro Maestoso (E minor)
  7. Calma: Andantino cantabile (E major)
  8. Finale (E major)
Year/Date of CompositionY/D of Comp. 1828
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation violin, orchestra (or piano)
External Links World Modern Premiere of the work
Extra Information Marco Anzoletti has a sinfonia fantastica in theme of Paganini, with the identical title. Also, this work is actually a commission by Paganini himself to Joseph Panny, which afterwards Paganini supervised the composition and probably made some revision.

The violin is tuned a major third higher than usual in this work.

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