La Soirée du Palais-royal, Op.9 (Albanese, Antonio)

Movements/SectionsMov'ts/Sec's 16 songs
Genre Categories Songs; Tambourins; Dances; Rondos; Romances; Elegies; Funeral music; For voice, piano; For voices with keyboard; Scores featuring the voice; Scores featuring the piano; For voice, harp; For voices with solo instruments; Scores featuring the harp; For 2 voices, piano; For 2 voices, harp; For voice, viola, piano; Scores featuring the viola; For voice, harp, viola; For voice, cello, piano; Scores featuring the cello; For voice, harp, cello; For 3 voices, 2 violins, viola, piano; Scores featuring the violin; For 3 voices, piano; For 3 voices, harp, 2 violins, viola; For 3 voices, harp; French language

Sheet Music

Scores

 Complete Score
#503788 - 17.61MB, 68 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 118×⇩ - Zeyarshwe

PDF scanned by F-Pn
Zeyarshwe (2017/12/7)

Publisher. Info. Paris: L'Auteur, n.d.(ca.1775).
Copyright
Public Domain [tag/del]
Misc. Notes Bibliothèque nationale de France, Musique (F-Pn): VM7-665
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General Information

Work Title La Soirée du Palais-royal
Alternative. Title Nouveau recueil d'airs à une, deux et trois voix de dessus et de basse-taille avec accompagnement de forte-piano ou de harpe, la basse chiffrée
Composer Albanese, Antonio
Internal Reference NumberInternal Ref. No. IAA 3
Movements/SectionsMov'ts/Sec's 16 songs (all have piano or harp accompaniment; unless otherwise noted, these are for 1 voice):
  1. Je ne trouve que dans tes traits
  2. Elle m'aima cette belle Aspasie (Comme tout loyal amant ... )
  3. Quand j'avois le coeur d'Annette (Complainte imitée du plain-chant ... [d'après le Dies irae]) (1 or 2 voices, piano or harp)
  4. Je l'adorois, cette jeune Zélie (Le Pouvoir de l'amour)
  5. Plus brillante que l'aurore
  6. Si les plus tendres soins
  7. Le nom de la jeune Nicette
  8. Eh! pourquoi, pourquoi ne se rendre (Tambourin en rondeau)
  9. N'aimés jamais qu'on ne vous aime (Rondeau)
  10. Dans les erreurs [bis] d'un songe
  11. Point ne voudrois pour bien passer ma vie
  12. J'aime Philis (Rondeau) (a1 or 2 voices (or viola or cello in lieu of 2nd voice), piano or harp)
  13. Sensibles coeurs (Romance de Madame la comtesse de Saulx) (1 or 2 voices piano or harp)
  14. Ah! dove sei mia fille (Elegie) (2 voices, piano or harp)
  15. La querelle et le raccommodement (2 voices, piano or harp)
  16. Les amoureux sont des esclaves (3 voices, 2 violons, alto, piano or harp; string instruments ad lib.)
Librettist Composer?
Language French
Dedication M. de Montigny
Composer Time PeriodComp. Period Classical
Piece Style Classical
Instrumentation see above, contents; bass line is figured

Navigation etc.

In no.13, the ad lib. part sits quite high for cello, though playable. Viola might be a better choice, though it does have one low B that is off the range of the viola.

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