Konzertmusik, Op.48 (Hindemith, Paul)

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Movements/SectionsMov'ts/Sec's 2 parts, 6 movements (frühe Fassung)
Composition Year 1929 Fall-1930 Feburary (frühe Fassung)
1930 July-September (definitive Fassung)
Genre Categories Pieces; For viola, orchestra; Scores featuring the viola; Scores featuring the orchestra; For orchestra with soloists; For viola, piano (arr); Scores featuring the piano (arr); Scores featuring the viola (arr); For 2 players (arr)

Contents

Performances

Sheet Music

Full Scores

Early Version of 1930 (Frühe Fassung)

 Complete Score (CA)
#607286 - 6.97MB, 98 pp. -  0.0/10 2 4 6 8 10 (-) - C*/92*/34* - Sallen112

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Editor Kurt von Fischer (1913–2003)
Ludwig Finscher (1930–2020)
Hans Kohlhase (1943–2021)
Publisher. Info. Mainz: B. Schott's Söhne, 1930.
Paul Hindemith: Sämtliche Werke, Band III,3 (PHA 303):
Violinkonzert / Konzertmusik, op.48 (frühe Fassung) (pp.101-98)
Mainz: B. Schott’s Söhne, 1994. Plate B.S.S. 43645.
URTEXT EDITION 

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Copyright
Public Domain - See notes on copyright status for urtext editions, Non-PD EU [tag/del]
Misc. Notes 600 dpi. Page size is 10.67 x 14.763 inches.
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Revised Version of 1930 (Definitive Fassung)

 Complete Score
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⇒ 5 more: I. Lebhaft. Bewegte Halbe • II. Ruhig gehend • III. Lebhaft • IV. Leicht bewegt • V. Sehr lebhaft

 I. Lebhaft. Bewegte Halbe
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 II. Ruhig gehend
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 III. Lebhaft
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 IV. Leicht bewegt
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 V. Sehr lebhaft
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Publisher. Info. Mainz: B. Schott's Söhne, No. 3491, 1930. Plate 32589.
Copyright
Public Domain - Non-PD EU [tag/del/mrg]
Misc. Notes 600 dpi.
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 Complete Score (CA)
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Editor Kurt von Fischer (1913–2003)
Ludwig Finscher (1930–2020)
Hans Kohlhase (1943–2021)
Publisher. Info. Mainz: B. Schott's Söhne, 1930.
Paul Hindemith: Sämtliche Werke, Band III,4 (PHA 304):
Bratschenkonzerte (pp.1-82)
Mainz: B. Schott’s Söhne, 1997. Plate B.S.S. 48113.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright
Public Domain - See notes on copyright status for urtext editions, Non-PD EU [tag/del]
Misc. Notes 600 dpi. Page size is 10.67 x 14.763 inches.
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Parts

Early Version of 1930 (Frühe Fassung)

 3. Lebhaft - Viola solo (CA)
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 Nos.4, 6 - Viola solo (CA)
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Editor Kurt von Fischer (1913–2003)
Ludwig Finscher (1930–2020)
Hans Kohlhase (1943–2021)
Publisher. Info. Mainz: B. Schott's Söhne, 1930.
Paul Hindemith: Sämtliche Werke, Band III,3 (PHA 303):
Violinkonzert / Konzertmusik, op.48 (frühe Fassung) (pp.201-04, 216-20)
Mainz: B. Schott’s Söhne, 1994. Plate B.S.S. 43645.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright
Public Domain - See notes on copyright status for urtext editions, Non-PD EU [tag/del/mrg]
Misc. Notes 600 dpi. Page size is 10.67 x 14.763 inches.
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Revised Version of 1930 (Definitive Fassung)

 Viola solo (CA)
#607289 - 1.25MB, 11 pp. -  0.0/10 2 4 6 8 10 (-) - C*/92*/34* - Sallen112

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Editor Kurt von Fischer (1913–2003)
Ludwig Finscher (1930–2020)
Hans Kohlhase (1943–2021)
Publisher. Info. Mainz: B. Schott's Söhne, 1930.
Paul Hindemith: Sämtliche Werke, Band III,3 (PHA 303):
Violinkonzert / Konzertmusik, op.48 (frühe Fassung) (pp.205-15)
Mainz: B. Schott’s Söhne, 1994. Plate B.S.S. 43645.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright
Public Domain - See notes on copyright status for urtext editions, Non-PD EU [tag/del]
Misc. Notes 600 dpi. Page size is 10.67 x 14.763 inches.
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Arrangements and Transcriptions

Revised Version of 1931 (Definitive Fassung)

For Viola and Piano (Willms)

 Complete Score
#928163 - 33.49MB, 32 pp. -  0.0/10 2 4 6 8 10 (-) - V/26/34 - 45×⇩ - Aufman

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Arranger Franz Willms (1883–1946)
Publisher. Info. Mainz: Schott, 1931.
Copyright
Public Domain - Non-PD EU [tag/del]
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 Complete Score and Violin Part
#309371 - 3.62MB, 56 pp. -  0.0/10 2 4 6 8 10 (-) - V/26/34 - 1732×⇩ - Schalltrichter

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Arranger Franz Willms (1883–1946)
Publisher. Info. Moscow: Muzyka, 1976. Plate 9150.
Copyright
Public Domain - Non-PD EU [tag/del]
Misc. Notes Re-engraving of Schott Ed.3150
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General Information

Work Title Konzertmusik
Alternative. Title Konzertmusik für Solobratsche und größeres Kammerorchester
Composer Hindemith, Paul
Opus/Catalogue NumberOp./Cat. No. Op.48
Internal Reference NumberInternal Ref. No. IPH 77
Movements/SectionsMov'ts/Sec's 2 parts, 6 movements (frühe Fassung):

    Erster Teil

    1. Lebhaft: Bewegte Halbe
    2. Ruhig gehend
    3. Lebhaft

    Zweiter Teil

    4. Langsam: Schreitende Achtel
    5. Leicht bewegt
    6. Lebhaft und munter
5 movements (definitive Fassung)
    1. Lebhaft. Bewegte Halbe ( = 120)
    2. Ruhig gehend ( = 40-50)
    3. Lebhaft ( = 120)
    4. Leicht bewegt ( = 96-104)
    5. Sehr lebhaft ( = 152-160)
Year/Date of CompositionY/D of Comp. 1929 Fall-1930 Feburary (frühe Fassung)
1930 July-September (definitive Fassung)
First Performance. 1930-03-28 in Hamburg, Berliner Philharmonisches Orchester (frühe Fassung)
Paul Hindemith (viola), Wilhelm Furtwängler (conductor)
1930-09-22 in Graz, Städtisches Orchester Graz (definitive Fassung)
Paul Hindemith (viola), Oswald Kabasta (conductor)
First Publication. 1930 - Mainz: Schott (frühe Fassung)
1930-10 - Mainz: Schott (definitive Fassung)
1931-09 - Mainz: Schott (Piano reduction, definitive Fassung)
1994 SW III/3 Score (frühe Fassung)
1997 SW III/4 Score (definitive Fassung)
1997 - Mainz: Schott (Piano reduction, frühe Fassung)
Dedication Für Darius Milhaud und Madeleine Milhaud
Average DurationAvg. Duration 23 minutes (frühe Fassung)
19 minutes (definitive Fassung)
Composer Time PeriodComp. Period Modern
Piece Style Modern
Instrumentation viola, orchestra
InstrDetail Orchestra (frühe Fassung)
    piccolo, flute, oboe, English horn, clarinet
    bass clarinet, 2 bassoons, contrabassoon
    3 horns, trumpet, trombone, 4 cellos, 4 basses
Orchestra (definitive Fassung)
    piccolo, flute, oboe, English horn, clarinet
    bass clarinet, 2 bassoons, contrabassoon
    3 horns, 2 trumpets, trombone, tuba, 4 cellos, 4 basses
External Links Hindemith Foundation (Frühe Fassung)
Hindemith Foundation (Definitive Fassung)
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