Il conte Ugolino, In.371 (Donizetti, Gaetano) - IMSLP

Movements/SectionsMov'ts/Sec's	1 cantata
Composition Year	1826-04-10
Genre Categories	Secular cantatas; Cantatas; For voice, piano; For voices with keyboard; Scores featuring the voice; Scores featuring the piano; Italian language; For voice, strings (arr); For voices with strings (arr); Scores featuring the voice (arr); Scores featuring string ensemble (arr)

Sheet Music

Scores

Complete Score
*#272336 - 0.78MB, 14 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 1265×⇩ - L'italiano in a...

PDF scanned by Caprotti
L'italiano in a... (2013/3/6)

Publisher. Info.	Milan: Ricordi, 1843. Plate 13722.
Copyright	Public Domain [tag/del]
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Arrangements and Transcriptions

For Voice and Strings (Pepe)

Complete Score
*#585840 - 7.85MB, 53 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 22×⇩ - Іоахимъ

PDF scanned by Internet Culturale
Іоахимъ (2019/8/16)

Arranger	Marcello Pepe (1816-1901)
Publisher. Info.	Holograph manuscript, 1838.
Copyright	Public Domain [tag/del]
Misc. Notes	Campobasso, Biblioteca provinciale P. Albino, IT-CB0007. This ms includes: the score of the present arrangement; blank pages; a title page for double bass part of Donizetti's Torquato Tasso; double bass part of the present arrangement; an incomplete (missing the last page) double bass part for Rossini's Semiramide.
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General Information

Work Title	Il Canto XXXIII dalla Divina Commedia di Dante Alighieri
Alternative. Title	Il conte Ugolino
Composer	Donizetti, Gaetano
Opus/Catalogue NumberOp./Cat. No.	In.371
I-Catalogue NumberI-Cat. No.	IGD 15
Key	D minor
Movements/SectionsMov'ts/Sec's	1 cantata
Text Incipit	La bocca sollevò dal fiero pasto
Year/Date of CompositionY/D of Comp.	1826-04-10
Librettist	Dante Alighieri (ca.1265–1321), Inferno, XXXIII
Language	Italian
Dedication	Luigi Lablache (1794–1858)
Composer Time PeriodComp. Period	Romantic
Piece Style	Romantic
Instrumentation	voice, piano

Navigation etc.

Composition date (not 1828!) from Francesco Bellotto: Declamare la musica: Il caso de Il conte Ugolino di Donizetti (see p.313). He also lists several 19th-century editions (p.311, note 42) and 2 ms arrangements by Pepe (p.312). The original form of the piece could be orchestral; for more information see Donizetti Society page.
The second arrangement by Pepe is available here: [1].

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