Festchor zu Mozart's Säcularfeier, Op.103 (Lachner, Franz Paul)

First Publication 1857 – Mainz: Schott
Genre Categories Secular choruses; Choruses; For male chorus, brass ensemble; Scores featuring male chorus; Scores featuring brass ensemble; For chorus with orchestra; German language

Sheet Music

Full Scores

 Complete Score (black and white)
#468665 - 2.30MB, 33 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 52×⇩ - Cypressdome

PDF scanned by D-Mbs
Cypressdome (2017/4/26)

 Complete Score (ca.170dpi color)
#468666 - 9.83MB, 33 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 11×⇩ - Cypressdome

PDF scanned by D-Mbs
Cypressdome (2017/4/26)

Editor First edition
Publisher. Info. Mainz: Schott, n.d.[1857]. Plate 14445.
Copyright
Public Domain [tag/del/mrg]
Misc. Notes Original images: ca.170dpi, color jpg files approx. 1220 by 1900 pixels. Editing: re-sampled to 600dpi, converted to black and white tif files, de-skewed, and set uniform margins. The full score incorporates a vocal score reduction.
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General Information

Work Title Festchor zu Mozart's Säcularfeier
Alternative. Title Festchor zu Mozart’s Säcularfeier, für Männerstimmen mit Harmoniebegleitung
Composer Lachner, Franz Paul
Opus/Catalogue NumberOp./Cat. No. Op.103
Internal Reference NumberInternal Ref. No. IFL 16
Key E-flat major
Text Incipit Erhabner Geist, o schwebe nieder aus Himmelshöhn in unsern Kreis
First Performance. 1856 September 6 possibly?
First Publication. 1857 – Mainz: Schott
Librettist Friedrich Beck (1806–1888)
Language German
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation Voices: male chorus (TTBBB)
Brass Band: 4 trumpets (E♭), 4 horns (E♭), 2 bassoons, 3 trombones, ophicleide, timpani

Navigation etc.

Dedication - in memoriam Mozart presumably? (In the key, and recalling somewhat the instrumentation, of some of Mozart's Masonic works?...)

Note: see Munchener Bote für Stadt und Land. Performed in Autumn (1856? 1857?) in Salzburg by a quite large ensemble? See also Neue Münchener Zeitung, 13 August 1856 issue (No.193), where the work (or the text?) is referred to as a Festcantate and its scheduled performance on 6 September 1856 is announced.

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