Emma (Fine, Elaine)

Contents

Performances

Recordings

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Synthesized/MIDI

Act 1

MID file (audio/video)
Reccmo (2012/4/13)

11 more: Scene 2, Sach's Café in New York City • Scene 3, At the Brooklyn Academy • Scene 3, Emma and Sasha • Scene 4, Emma and Sasha are in Anna's Apartment • Scene 5, In the new Apartment • Scene 5, Scene change • Scene 6, Strike at Kargman' • Scene 7, Sasha is sitting in the apartment. Emma enters • Scene 8, News from Pittsburgh • Scene 9, Henry Clay Frick is dictating to his secretary in his office, / while Sasha changes into his suit on the other side of the stage • Scene 10, Postlude

MID file (audio/video)
Reccmo (2012/4/13)

MID file (audio/video)
Reccmo (2012/4/13)

MID file (audio/video)
Reccmo (2012/4/13)

MID file (audio/video)
Reccmo (2012/4/13)

MID file (audio/video)
Reccmo (2012/4/13)

MID file (audio/video)
Reccmo (2012/4/13)

MID file (audio/video)
Reccmo (2012/4/13)

MID file (audio/video)
Reccmo (2012/4/13)

MID file (audio/video)
Reccmo (2012/4/13)

MID file (audio/video)
Reccmo (2012/4/13)

Publisher Info. Elaine Fine
Performers Synthesized MIDI
Copyright
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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Act 2

MID file (audio/video)
Reccmo (2012/4/13)

14 more: Scene 2, Chicago Train Station • Scene 3, Hobo Hall • Scene 4, In Vito's appartment • Scene 5, A lecture • Scene 6, Emma and Reitmann, dinner • Scene 7, Emma and Reitmann before a lecture, the other woman • Scene 8, Union Square • Scene 9, J. Edgar Hoover and Thomas Gregory • Scene 10, Welcome home, Emma • Scene 11, President McKinley's speech • Scene 12, In Sach's Cafe • Scene 13, Setting up the Casino • Scene 14, Outside the Harlem River Casino • Scene 15, Finale, Emma and Sasha

MID file (audio/video)
Reccmo (2012/4/13)

MID file (audio/video)
Reccmo (2012/4/13)

MID file (audio/video)
Reccmo (2012/4/13)

MID file (audio/video)
Reccmo (2012/4/13)

MID file (audio/video)
Reccmo (2012/4/13)

MID file (audio/video)
Reccmo (2012/4/13)

MID file (audio/video)
Reccmo (2012/4/13)

MID file (audio/video)
Reccmo (2012/4/13)

MID file (audio/video)
Reccmo (2012/4/13)

MID file (audio/video)
Reccmo (2012/4/13)

MID file (audio/video)
Reccmo (2012/4/13)

MID file (audio/video)
Reccmo (2012/4/13)

MID file (audio/video)
Reccmo (2012/4/13)

MID file (audio/video)
Reccmo (2012/4/13)

Publisher Info. Elaine Fine
Performers Synthesized MIDI
Copyright
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
Purchase
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Sheet Music

Full Scores

PDF typeset by composer
Elaine Fine (2011/8/28)

PDF typeset by composer
Elaine Fine (2011/8/28)

PDF typeset by composer
Elaine Fine (2011/8/28)

Publisher. Info. Elaine Fine, in collaboration with Howard Zinn
Copyright
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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Parts

Complete

PDF typeset by composer
Elaine Fine (2011/8/28)

5 more: Trumpet • Percussion • Violin • Cello • Piano

PDF typeset by composer
Elaine Fine (2011/8/28)

PDF typeset by composer
Elaine Fine (2011/8/28)

PDF typeset by composer
Elaine Fine (2011/8/28)

PDF typeset by composer
Elaine Fine (2011/8/28)

PDF typeset by composer
Elaine Fine (2011/8/28)

Publisher. Info. Elaine Fine
Copyright
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
* Some of the parts are missing pages (e.g. the second half of Act 1, Scene 3, which is in an entry below). Some of the music for one page is occasionally split across two separate pages of the PDF (they may be overprinted to combine the music on a single page).
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Act 1, Sc.3b: Emma and Sasha

PDF typeset by composer
Elaine Fine (2012/3/30)

5 more: Trumpet • Piano • Percussion • Violin • Cello

PDF typeset by composer
Elaine Fine (2012/3/30)

PDF typeset by composer
Elaine Fine (2012/3/30)

PDF typeset by composer
Elaine Fine (2012/3/30)

PDF typeset by composer
Elaine Fine (2012/3/30)

PDF typeset by composer
Elaine Fine (2012/3/30)

Publisher. Info. Elaine Fine
Copyright
Misc. Notes These file(s) are part of the Werner Icking Music Collection. This is a scene that is missing from the parts!
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Vocal Scores

PDF typeset by composer
Elaine Fine (2011/8/28)

PDF typeset by composer
Elaine Fine (2011/8/28)

PDF typeset by composer
Elaine Fine (2017/5/29)

PDF typeset by composer
Elaine Fine (2017/5/29)

Publisher. Info. Elaine Fine, in collaboration with Howard Zinn
Copyright
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Libretto

PDF typeset by composer
Elaine Fine (2011/8/28)

Publisher. Info. Elaine Fine, in collaboration with Howard Zinn
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General Information

Work Title Emma
Alternative. Title An Opera In Two Acts
Composer Fine, Elaine
I-Catalogue NumberI-Cat. No. IEF 18
Movements/SectionsMov'ts/Sec's 2 acts
Year/Date of CompositionY/D of Comp. 2005
First Publication. 2008
Librettist Composer
after Emma, 1987 revision, by Howard Zinn (1922–2010)
Language English
Average DurationAvg. Duration 127 minutes
Composer Time PeriodComp. Period Modern
Piece Style Modern
Instrumentation voices, mixed chorus, chamber ensemble
Cast
  Principals
Emma Goldman, mezzo-soprano
Sasha (Alexander Berkman), baritone
Fedya (Modest Stein), tenor
Johann Most, tenor
Ben Reitman, baritone
Anna Minkin, soprano
Vito, bass-baritone
  Additional characters
Jenny and Rose, sopranos, Dora, mezzo-soprano (factory workers)
Vogel, bass-baritone (factory foreman)
J. Edgar Hoover, bass-baritone
Henry Clay Frick, bass-baritone
Thomas Gregory, tenor
Newspaper reporter, soprano
Woman, soprano
Receptionist, mezzo-soprano
Chorus
workers, strikers, and police
Instruments
clarinet, trumpet, violin, cello, piano, percussion

Navigation etc.

  • Emma is a two-act opera based on the play with the same name by Howard Zinn (revised in 1987) about the American Anarchist Emma Goldman (1869–1940). The narrative of the opera is woven from relationships and events in Goldman’s autobiography Living My Life. It is at once a story of a passionately-driven social and political reformer, and the story of a woman torn between her feminist ideals and her vulnerability in matters of love. The action of the opera begins 1887 when Emma is an 18-year-old factory worker in Rochester and ends in 1917 when, at age 48, she is about to be exiled to Russia. The music is mainly tonal with a musical color that often evokes the Yiddish theatre of the early 20th century.