Eine Venetianische Hochzeit (Jentsch, Max)

Movements/SectionsMov'ts/Sec's	1 act
Composition Year	1890-93 ca.
Genre Categories	Operas; Theatrical Works; For voices, orchestra; Scores featuring the voice; Scores featuring the orchestra; For voices with orchestra; For voice, piano (arr); For voices with keyboard (arr); Scores featuring the voice (arr); Scores featuring the piano (arr)

Sheet Music

Ständchen
*#989429 - 1.61MB, 1 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 4×⇩ - 4candles

PDF scanned by Worms City Libr...
4candles (2025/9/4)

Arranger	Composer
Publisher. Info.	Berlin: Deutsche Verlagsgesellschaft Dr Russak & Co., n.d.(1893). Berlin: John Henry Schwerin, n.d.(1893).
Copyright	Public Domain [tag/del]
Misc. Notes	Two verses. Published in the music supplement to 'Mode und Haus' (Year 9, 1893). Slight damage to bars/measures 2-3 due to paper sticking. In the opera, this piece is "gesungen vom Pagen" (sung by the pageboy).
Purchase	Javascript is required for this feature.

Trinklied
*#989431 - 1.63MB, 1 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 3×⇩ - 4candles

PDF scanned by Worms City Libr...
4candles (2025/9/4)

Arranger	Composer
Publisher. Info.	Berlin: Deutscher Verlagsgesellschaft Dr Russak & Co., n.d.(1893). Berlin: John Henry Schwerin, n.d.(1893).
Copyright	Public Domain [tag/del]
Misc. Notes	Three verses. Published in the music supplement to 'Mode und Haus' (Year 9, 1893).
Purchase	Javascript is required for this feature.

Javascript is required to submit files.

Work Title	Eine Venetianische Hochzeit
Alternative. Title
Composer	Jentsch, Max
Internal Reference NumberInternal Ref. No.	IMJ 24
Movements/SectionsMov'ts/Sec's	1 act
Year/Date of CompositionY/D of Comp.	1890-93 ca.
First Performance.	1893/04/09 (partial, reduction for voice/instruments and piano)
First Publication.	1897 (Vienna, Verlag der Wiener Theater-zeitung (Ignaz Wild). No published copy survives.
Librettist	Hedwig Herold (1845–1900)
Language	German
Composer Time PeriodComp. Period	Romantic
Piece Style	Romantic
Instrumentation	voices, orchestra
Extra Information	One contemporary commentary on the work mentions its belonging to the 'Verismo' style.