| First Publication | 1502 in Motetti A |
|---|---|
| Genre Categories | Chansons; Songs; For 3 voices; |
| Related Works | Based on De tous biens plaine by Ghizeghem |
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Complete Score (modern clefs)
*#950229 - 0.01MB, 2 pp. - (-) - !N/!N/!N - 45×⇩ - Clegoldberg
PDF typeset by editor
Clegoldberg (2025/1/9)
Complete Score (original clefs)
*#950230 - 0.01MB, 2 pp. - (-) - !N/!N/!N - 24×⇩ - Clegoldberg
PDF typeset by editor
Clegoldberg (2025/1/9)
|
| Work Title | De tous biens plaine à 3 |
|---|---|
| Alternative. Title | |
| Composer | Josquin Desprez |
| Opus/Catalogue NumberOp./Cat. No. | NJE 27.6 |
| Internal Reference NumberInternal Ref. No. | IJ 97 |
| Key | G Dorian mode |
| First Publication. | 1502 in Motetti A |
| Language | French |
| Composer Time PeriodComp. Period | Renaissance |
| Piece Style | Renaissance |
| Instrumentation | 3 voices |
| Related Works | Based on De tous biens plaine by Ghizeghem |
| External Links | Josquin Research Project |
This piece is extant only in Petrucci's Motetti A, where it concludes the book. It's one of two secular pieces in the collection, the other being a setting of La Spagna. The contratenor part is a canon a 5th above the tenor (bass), starting a semibreve later.
While the original is a rondeau, the flow of the lower two parts make it impossible to perform in a normal rondeau fashion.