Das Ende kommt, der Tod, GWV 1165∕32 (Graupner, Christoph)

Movements/SectionsMov'ts/Sec's	7
Composition Year	1732
Genre Categories	Sacred cantatas; Cantatas; Religious works; For 4 voices, orchestra; For voices with orchestra; Scores featuring the voice; Scores featuring the soprano voice; Scores featuring the alto voice; Scores featuring the tenor voice; Scores featuring the bass voice; Scores featuring the orchestra; German language

Sheet Music

Complete Score and Parts
*#87539 - 13.25MB, 63 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 103×⇩ - Boccaccio

PDF scanned by D-DS
Boccaccio (2010/12/17)

Publisher. Info.	Holograph manuscript, 1732. November
Copyright	Public Domain [tag/del]
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Complete Score
*#48565 - 9.81MB, 22 pp. - 0.0/10 2 4 6 8 10 (-) - V/V*/V* - 164×⇩ - ctesibius

PDF scanned by D-Mbs
ctesibius (2009/12/11)

Editor	Friedrich Noack (1890-1958)
Publisher. Info.	Denkmäler der Deutscher Tonkunst, Vol.51, 52 Leipzig: Breitkopf und Härtel, 1926. Plate D.D.T. LI. LII.
Copyright	Public Domain [tag/del]
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Work Title	Das Ende kommt, der Tod
Alternative. Title
Composer	Graupner, Christoph
Opus/Catalogue NumberOp./Cat. No.	GWV 1165/32
I-Catalogue NumberI-Cat. No.	ICG 277
Key	G major
Movements/SectionsMov'ts/Sec's	7
Year/Date of CompositionY/D of Comp.	1732
First Performance.	1732
First Publication.	1926
Librettist	Johann Conrad Lichtenberg (1689-1751)
Language	German
Composer Time PeriodComp. Period	Baroque
Piece Style	Baroque
Instrumentation	SATB, trumpet, 2 horns in G & F, 4 tympani, 2 "flauti" & 4 part strings

for 24th Sunday after Trinity, 1732