| Number | Title | Subtitle | Composer | Publication Date | Notes |
|---|---|---|---|---|---|
| 1 | The Vampire | A Dramatic Theme | Levy | 1917 | copyright Cinema Music Co. |
| 2 | Pathetic Andante No.1 | For General Use | Levy | 1917 | copyright Cinema Music Co., orch. by Levy, published under the pseudonym Paul Vely |
| 3 | Dramatic Recitative No.1 | For Intensive and Heavy Dramatic Situations | Levy | 1917 | copyright Cinema Music Co. |
| 4 | Dramatic Agitato No.1 | For General Use | Levy | 1918 | orch. by Levy, published under the pseudonym Henry Hough |
| 5 | Heavy Misterioso No.1 | For General Use | Levy | 1917 | copyright Cinema Music Co. |
| 6 | Dramatic Tension No.1 | For General Use | Levy | 1917 | copyright Cinema Music Co. |
| 7 | Dramatic Narrative No.1 | For Scenes of Reminiscence | Levy, Pauline Pement | 1917 | copyright Cinema Music Co., orch. by Levy |
| 8 | Sorrow Theme | For General Use | Levy | 1918 | copyright Cinema Music Co., orch. by Levy, published under the pseudonym Edouard Roberts |
| 9 | Tragic Theme | For Fatal or Mournful Scenes | Levy | 1918 | copyright Cinema Music Co., orch. by Levy, published under the pseudonym Paul Vely |
| 10 | Love Theme | For General Use | Lee | 1918 | copyright Cinema Music Co., orch. by Levy |
| 11 | Sinister Theme | For Scenes of Impending Danger | Levy | 1918 | orch. by Levy |
| 12 | 2 Characteristic Themes | 1. Eccentric comedy character 2. Humorous drinking character |
Levy | 1918 | orch. by Levy, published under the pseudonym Edouard Roberts |
| 13 | Indian Misterioso | For General Use | Levy | 1918 | |
| 14 | Weird Oriental Theme | Levy | 1918 | ||
| 15 | Comedy Allegro | S.M. Berg | 1918 | orch. by Levy | |
| 16 | Dramatic Suspense | Winkler | 1918 | arr. by Levy | |
| 17 | Dramatic Reproach | Depicting Dramatic Emotion | Bergé | 1919 | orch. by Levy |
| 18 | Western Rodeo | Cowboy Descriptive | Minot | 1919 | orch. by Levy; misspelled "Rodio" |
| 19 | Dramatic Conflict | Hurry-Herioque | Levy | 1919 | |
| 20 | Dramatic Recitative No.2 | For Intensive and Dramatic Situations | Levy | 1920 | |
| 21 | The Conspirators | Santos | 1920 | ||
| 22 | Dramatic Agitato | Simon | 1920 | orch. by Paul Henneberg | |
| 23 | Misterioso Dramatico | Baron | 1921 | Published under the pseudonym Morris Aborn | |
| 24 | Dashing Cowboy | Western Characteristic | Baron | 1921 | Published under the pseudonym Morris Aborn |
| 25 | Allegro infernale | Baron | 1921 | Published under the pseudonym Morris Aborn | |
| 26 | Blizzard | A Furioso | Baron | 1922 | Published under the pseudonym Morris Aborn |
| 27 | A Prohibition Episode | John Barleycorn's Funeral | Baron | 1922 | Published under the pseudonym Morris Aborn |
| 28 | Agitato pathétique | Borch | 1922 | ||
| 29 | Creepy Creeps | Mysterioso | Borch | 1922 | |
| 30 | The Round Up | A Western Galop | Baron | 1922 | Published under the pseudonym Morris Aborn |
| 31 | Tensive Allegro | Baron | 1922 | Published under the pseudonym Morris Aborn | |
| 32 | Desert Monotony | Baron | 1922 | Published under the pseudonym Morris Aborn | |
| 33 | Dramatic Recitative No.3 | Baron | 1922 | Published under the pseudonym Morris Aborn | |
| 34 | Farcical Allegro | Baron | 1923 | Published under the pseudonym Morris Aborn | |
| 35 | In an Opium Den | Baron | 1923 | Published under the pseudonym Morris Aborn | |
| 36 | Agitato in D minor | Boehnlein | 1923 | ||
| 37 | Rythmic Agitato | Boehnlein | 1923 | arr. by O'Hare | |
| 38 | Descriptive Agitato | Boehnlein | 1923 | arr. by O'Hare | |
| 39 | Oriental Furioso | Boehnlein | 1923 | arr. by O'Hare | |
| 40 | Scenic Andante | Hilse | 1924 | revised by Maurice Baron (credited as Morris Aborn) | |
| 41 | Funeral Pomposo | Hilse | 1924 | revised by Maurice Baron (credited as Morris Aborn) | |
| 42 | Weird Misterioso | Kilenyi | 1924 | arr. by Maurice Baron (credited as Morris Aborn) | |
| 43 | Mournful Agitato | Hilse | 1925 | revised by Maurice Baron (credited as Morris Aborn) | |
| 44 | Anger Motive | Kilenyi | 1925 | arr. by Maurice Baron (credited as Morris Aborn) | |
| 45 | Majestic Misterioso | Dramatic | Kilenyi | 1925 | arr. by Maurice Baron (credited as Morris Aborn) |
| 46 | Trembling Agitato | Kilenyi | 1925 | arr. by Maurice Baron (credited as Morris Aborn) | |
| 47 | Gossip | Light Allegro | Borch | 1925 | |
| 48 | Pleading Love Theme | Bradford | 1924 | scored by Maurice Baron (credited as Morris Aborn) | |
| 49 | Appassionato patetico | Bradford | 1924 | arr. by Maurice Baron (credited as Morris Aborn) | |
| 50 | Dramatic Appassionato | Ciganeri | 1925 | ||
| 51 | Animal Cartoonix No.1 | Allegro | Baron | 1925 | Published under the pseudonym Morris Aborn |
| 52 | Animal Cartoonix No.2 | Comedy | Baron | 1925 | Published under the pseudonym Morris Aborn |
| 53 | Animal Cartoonix No.3 | Misterioso | Baron | 1926 | Published under the pseudonym Morris Aborn |
| 54 | Recitative héroïque | Rapée | 1926 | Published as Recitative Heroique | |
| 55 | Galloping Furies | Stampeding Cattle | Rapée | 1926 | |
| 56 | Valse infernale | Hoellen Walzer | Meyerbeer | 1926 | orch. by James C. McCabe |
| 57 | Agitated Misterioso | Rapée | 1926 | ||
| 58 | Lamentation exotique | Borch | 1926 | ||
| 59 | Allegro con moto | Borch | 1926 | ||
| 60 | Andante tragico, Op.57 | Levenson | 1926 | ||
| 61 | Misterioso furioso | Affrunti | 1926 | ||
| 62 | ? | ||||
| 63 | Appassionato lirico | Bergé | 1926 | ||
| 64 | Tensive Misterioso | Peele | 1926 | arr. by James C. McCabe | |
| 65 | The Clown | Misterioso burlesco | Peele | 1926 | arr. by James C. McCabe |
| 66 | Sinister Presto | The Dragon | Bradford | 1926 | |
| 67 | Melancholic Andante | Pintel | 1927 | arr. by James C. McCabe | |
| 68 | Euphonious Agitato | Anxiety, Sorrow | Pintel | 1927 | arr. by James C. McCabe |
| 69 | Burlesque on Chopin's 'Funeral March' | For Farce Funerals or Sad Scenes | Kempinski | 1927 | |
| 70 | Burlesque on Bizet's 'Toreador Song' | For Liars and Bull Throwers | Kempinski | 1927 | |
| 71 | Burlesque on Mendelssohn's and Wagner's 'Wedding March' | For Mock Marriages | Kempinski | 1927 | |
| 72 | Burlesque on Donizetti's 'Sextet' from Lucia | For Bad Acting, Singing, Reciting | Kempinski | 1927 | |
| 73 | Burlesque on 'Home, Sweet Home' | For Arguments between Man and Wife | Kempinski | 1927 | |
| 74 | Burlesque on 'How Dry I Am' | For Dry Agents and Other Situations | Kempinski | 1927 | |
| 75 | Burlesque on Famous Hebrew Themes | For Comedy Situations | Kempinski | 1927 | |
| 76 | Burlesque on Lange's 'Flower Song' | For Quarrels between Lovers | Kempinski | 1927 | |
| 77 | Burlesque on Verdi's 'Miserere' | For Blue Law Sponsors and Soap Box Orators | Kempinski | 1927 | |
| 78 | Burlesque on Verdi's 'March' from Aida | For Farce Coronations and Other Pompous Affairs | Kempinski | 1927 | |
| 79 | Melancholic Appassionato | Rapée | 1927 | ||
| 80 | ? | ||||
| 81 | Gruesome War Theme | Rapée | 1927 | ||
| 82 | 3 Grotesque Themes | 1. Razzing Theme 2. Jewish-Irish Comedy Theme 3. No Eats - Funeral March on Mess Call |
Rapée | 1927 | |
| 83 | ? | ||||
| 84 | The Crook | Misterioso | Peele | 1927 | arr. by James C. McCabe |