Capricci armonici sopra la chitarra spagnola, Op.1 (Roncalli, Lodovico)

Movements/SectionsMov'ts/Sec's 9 suites
First Publication 1692
Genre Categories Capriccios; Suites; For guitar; [5 more...]Scores featuring the guitar; For 1 player; For guitar (arr); Scores featuring the guitar (arr); For 1 player (arr)

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Performances [show]

Sheet Music

Scores

Publisher. Info. Bergamo: Sebastian Casetti, 1692.
Copyright
Public Domain
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Arrangements and Transcriptions

Complete

For Guitar (Chilesotti)
Arranger Oscar Chilesotti (1848–1916)
Publisher. Info. Milan: G. Ricordi & C., n.d.(ca.1889). Plate 81982.
Copyright
Public Domain
Misc. Notes Criticised, because a lot is wrong. But didactically well done (anno 1889), see p.III: someone who hasn't seen or made a transcription instinctively can learn several things, e.g. what a "3" below or right of a letter "I" on a special line will mean, or a "3" above a "G". Despite a wrong accordatura and other problems is was not that bad.
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Selections

Suite No.1

For Guitar (Albert)
Arranger Heinrich @guitarist^ Albert (1870–1950)
Publisher. Info. Frankfurt am Main: Musikverlag Wilhelm Zimmermann, n.d.
Copyright
Public Domain
Misc. Notes Albert reused/enhanced Chilesotti's transcription.
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For Guitar (Manger)
Arranger Bernhard Manger
Publisher. Info. Bernhard Manger
Copyright
Creative Commons Attribution 4.0
Misc. Notes Rather free adaption for a modern guitar with (3)=F#. Use Capodasto on 3rd fret?
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Suite No.7

For Guitar (Marieh)

 Preludio
#528132 - 0.25MB, 1 pp. -  0/10 2 4 6 8 10 (0) - !N/!N/!N - 662×⇩ - Marieh

PDF typeset by arranger
Marieh (2018/6/16)

Arranger Marieh Marieh
Publisher. Info. Marieh
Copyright
Creative Commons Attribution-NonCommercial 4.0
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General Information

Work Title Capricci armonici sopra la chitarra spagnola
Alternative. Title
Composer Roncalli, Lodovico
Opus/Catalogue NumberOp./Cat. No. Op.1
Internal Reference NumberInternal Ref. No. ILR 1
Movements/SectionsMov'ts/Sec's 9 suites: [more...]
  • Tavola
  • Ottavo Tuono
  1. Preludio, p.1
  2. Alemanda, p.2
  3. Corrente, p.3
  4. Gigua, p.5
  5. Sarabanda, p.6
  6. Gavotta, p.7
  • Quarto Tuono
  1. Preludio, p.8
  2. Alemanda, p.9
  3. Gigua, p.10
  4. Sarabanda, p.12
  5. Gavotta, p.13
  • Tuono trasportato
  1. Preludio, p.14
  2. Alemanda, p.15
  3. Corrente, p.16
  4. Sarabanda, p.17
  5. Minuet, p.18
  • Settimo Tuono
  1. Preludio, p.19
  2. Alemanda, p.20
  3. Corrente, p.21
  4. Gigua, p.22
  5. Sarabanda, p.23
  6. Minuet, p.24
  • Terzo Tuono
  1. Preludio, p.25
  2. Alemanda, p.26
  3. Corrente, p.27
  4. Gigua, p.29
  5. Sarabanda, p.30
  6. Passacaglij, p.31
  • Sesto Tuono
  1. Preludio, p.33
  2. Alemanda, p.34
  3. Corrente, p.36
  4. Gigua, p.37
  5. Sarabanda, p.38
  6. Minuet, p.39
  7. Gavotta, p.39
  • Primo Tuono
  1. Preludio, p.40
  2. Alemanda, p.41
  3. Gigua, p.42
  4. Minuet, p.43
  5. Alemanda, p.44
  6. Corrente, p.45
  7. Sarabanda, p.46
  • Quinto Tuono
  1. Preludio, p.47
  2. Alemanda, p.48
  3. Corrente, p.49
  4. Gigua, p.50
  5. Minuet, p.52
  6. Gavotta, p.52
  • Secondo Tuono
  1. Preludio, p.53
  2. Alemanda, p.53
  3. Corrente, p.54
  4. Minuet, p.55
  5. Gavotta, p.56
  6. Passacaglij, p.56
First Publication. 1692
Language Italian
Dedication Consagrati all'eminentissimo Principe il Sig. Cardinale Panfilio Gran Priore Gerosolimitano in Roma e Legato meritissimo di Bologna dal Conte Ludovico Roncalli
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation 5 course baroque guitar
Extra Information ​
  • Roncalli didn't use just a common tablature system and not only a pure abcedario. Both (in the Italian form) are mixed up to explain music for the 5 course baroque guitar.
  • At least in this version of Roncalli's Capricci armonici sopra la Chitarra Spagnola there is no explanation about the meaning of the abecedario letters. Other authors have to be involved.
  • Italian tuning (mostly used this way): in unison, with no basses (from ⑤ to ①): aa d'd' gg hh e'(e')
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