Adriano in Siria (Giacomelli, Geminiano)

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PDF scanned by A-Wn
Tito Manlio (2015/8/1)

Publisher. Info. Manuscript, n.d.(ca.1700s).
Copyright
Misc. Notes Österreichische Nationalbibliothek, Vienna (A-Wn): Mus.Hs.17566.
This file is based on high-resolution images obtained from the source using a method explained on this page. Scans were made from microfilm. PDF file has bookmarks with titles of arias:
1. Act I, Sc.2. Aria of Farnaspe: Già presso al termine
2. Act I, Sc.9. Aria of Emirena: Prigioniera abbandonata
3. Act I, Sc.11. Aria of Sabina: Numi, se giusti siete
4. Act I, Sc.15. Aria of Farnaspe: Se non ti moro a lato
5. Act II, Sc.2. Aria of Emirena: Disperato agricoltore
6. Act II, Sc.3. Aria of Adriano: Quanto è misero il mio amore!
7. Act II, Sc.7. Aria of Farnaspe: Passaggier, che incerto errando
8. Act II, Sc.12. Aria of Osroa: Leon piagato a morte
9. Act II, Sc.13. Aria of Farnaspe: Amor, dover, rispetto
10. Act III, Sc.1. Aria of Sabina: Digli ch'è un infedele
10. Act III, Sc.7. Aria of Farnaspe: Mancare, oh Dio, mi sento
11. Aria of Farnaspe: Non ho nel sen costanza

The only extant complete score is in D-B.
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PDF scanned by D-Dl
Piupianissimo (2015/4/10)

Publisher. Info. Manuscript, n.d.(ca.1733).
Copyright
Misc. Notes RISM 211010923
This file is based on high-resolution images obtained from the source using a method explained on this page.
Full SLUB resolution jpgs.
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General Information

Work Title Adriano in Siria
Alternative. Title Dramma per musica in tre atti
Composer Giacomelli, Geminiano
I-Catalogue NumberI-Cat. No. IGG 1
Movements/SectionsMov'ts/Sec's 3 Acts
First Performance. 1733 in Venice, Teatro San Giovanni Grisostomo
Librettist Pietro Metastasio (1698-1782)
Language Italian
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation voices, orchestra
  • Cast:
Adriano (T)
Aquilio (S)
Emirena (S)
Farnaspe (S)
Osroa (T)
Sabina (A)
  • Orchestra:
2 trumpets, 2 horns, 2 oboes, 2 bassoons, strings, continuo

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Since only one excerpt of this can be found, the instrumentation for the work as a whole (chorus or not, orchestra of strings only or with winds) cannot be determined.