A Mass For Peace (Rosaria, Danielle)

Movements/SectionsMov'ts/Sec's 5 movements
Composition Year 2017-18 ca.
Genre Categories Masses; Religious works; For mixed chorus; Scores featuring mixed chorus; For unaccompanied chorus; Latin language

Contents

Performances

Recordings

 1. Kyrie
#492463 - 2.18MB - 2:23 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 114×⇩ - MP3 - Dfly8abit

MP3 file (audio)
Dfly8abit (2017/9/10)

 2. Gloria
#492738 - 3.16MB - 3:27 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 60×⇩ - MP3 - Dfly8abit

MP3 file (audio)
Dfly8abit (2017/9/13)

 5. Agnus Dei
#492464 - 4.12MB - 4:30 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 46×⇩ - MP3 - Dfly8abit

MP3 file (audio)
Dfly8abit (2017/9/10)

Publisher Info. Danielle Rosaria, 2017.
Performers Danielle Rosaria
Copyright
Creative Commons Attribution 4.0 [tag/del]
Misc. Notes recordings were made by the composer singing all parts
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TN-PMLP797295-Kyrie 4-5798.JPG

Sheet Music

Scores

 1. Kyrie
#492459 - 0.55MB, 9 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 199×⇩ - Dfly8abit

PDF typeset by composer
Dfly8abit (2017/9/10)

 2. Gloria
#492460 - 1.73MB, 13 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 89×⇩ - Dfly8abit

PDF typeset by composer
Dfly8abit (2017/9/10)

 5. Agnus Dei
#492461 - 0.52MB, 12 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 87×⇩ - Dfly8abit

PDF typeset by composer
Dfly8abit (2017/9/10)

Publisher. Info. Danielle Rosaria, 2017.
Copyright
Creative Commons Attribution 4.0 [tag/del/mrg]
Purchase
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General Information

Work Title A Mass for Peace
Alternative. Title for A Cappella Choir
Composer Rosaria, Danielle
I-Catalogue NumberI-Cat. No. IDR 4
Key F minor
Movements/SectionsMov'ts/Sec's 5 movements:
Kyrie
Gloria
Credo
Sanctus
Agnus Dei
Year/Date of CompositionY/D of Comp. 2017-18 ca.
First Publication. 2017
Language Latin
Dedication To the Glory of God
Composer Time PeriodComp. Period Modern
Piece Style Modern
Instrumentation mixed chorus (SATB)

Navigation etc.

This Mass is dedicated to God's glory and is a prayer for peace in a troubled world. It is written in the tradition of Palestrina and William Byrd and has an early 21st century flare. The recordings were made by the composer singing all parts.

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