8 Lieder, Op.7 (Schreker, Franz)

Movements/SectionsMov'ts/Sec's	8 pieces
Composition Year	1898-1900
Genre Categories	Lieder; Songs; For voice, piano; For voices with keyboard; Scores featuring the voice; Scores featuring the piano; German language

1 Performances
- 1.1 Naxos
2 Sheet Music
- 2.1 Scores
3 General Information
4 Navigation etc.

Performances

Naxos

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Sheet Music

Scores

Volume 1 (Nos. 1-4)
*#92325 - 0.59MB, 12 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/C - 1484×⇩ - Massenetique

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Massenetique (2011/2/7)

Volume 2 (Nos. 5-8)
*#92326 - 0.53MB, 10 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/C - 1043×⇩ - Massenetique

PDF scanned by US-R
Massenetique (2011/2/7)

Engraver	Vienna: Josef Eberle & Co.
Publisher. Info.	Vienna: Josef Eberle, 1906. Plates J.E. 1242, 1241.
Copyright	Public Domain [tag/del/mrg]
Misc. Notes	This file is part of the Sibley Mirroring Project.
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General Information

Work Title	Acht Lieder für eine Singstimme mit Begleitung des Pianoforte
Alternative. Title
Composer	Schreker, Franz
Opus/Catalogue NumberOp./Cat. No.	Op.7
Internal Reference NumberInternal Ref. No.	IFS 11
Movements/SectionsMov'ts/Sec's	8 pieces Wiegenliedchen. Leicht bewegt Zu späte Reue. Sehr bewegt Traum. Bewegt Spuk. Flüchtig, geisterhaft. Rosentod. Nicht zu langsam. Ach, noch so jung ... Mäßig bewegt. Rosengruss. Sehr bewegt Lied des Harfenmädchens. Wehmütig, langsam
Year/Date of CompositionY/D of Comp.	1898-1900
First Publication.	1906 – Vienna: Josef Eberle
Librettist	see below Julius Sturm (1816-1896) Julius Sturm (1816-1896) Dora Leen (1880-1942) (pseudonym of Dora Pollak) Dora Leen (1880-1942) Dora Leen (1880-1942) Ernst Scherenberg (1839-1905) Ernst Scherenberg (1839-1905) Theodor Storm (1817-1888)
Language	German
Dedication	see below Anton Krum (?) (Nos.1, 2, 6, 7) Der k. und k. Kammersängerin Frau Marie Gutheil-Schoder (1874-1935) (Nos.3-5) Grete Grotte (No.8) (1883-1959) (mother of music critic Hans Keller)
Composer Time PeriodComp. Period	Romantic
Piece Style	Romantic
Instrumentation	Voice, Piano

Navigation etc.

Dora Leen was the pseudonym or perhaps married name of Dr. Sigmund Pollak's daughter Dora(?) Pollak - the doctor was Ferdinand von Saar's personal physician, and apparently the doctor and/or his daughter were acquainted with the composer, who then became acquainted with Saar. ("Franz Schreker, 1878-1934: A Cultural Biography", Haley, p.331.)