6 Lieder, Op.13 (Schumann, Clara)

Incipit	movements: 1 $<< \relative c' { \tempo "Ziemlich langsam" \key ees \major \time 3/4 \override DynamicLineSpanner.direction = #UP \partial 8 f8\p \| g4. g8 aes[ a] \| c4 bes4. 8 \| \override Hairpin.shorten-pair = #'(0 . 1) \stemUp aes4~\> 8 bes16\! c bes8 aes \| g4 } \addlyrics { \override LyricText.font-size = #0.5 Ich stand in dunk -- len Träu -- men und starr -- te ihr Bild -- niss an, } >>$ 2 $<< \relative c' { \tempo "Nicht schnell" \key g \minor \time 6/8 \override DynamicLineSpanner.direction = #UP \partial 8 d8\p \| g g bes \once\stemUp bes4 a8 \| r4 ees'8 4 d8 \| r4 r8 ees\> d c \| \override Hairpin.shorten-pair = #'(0 . 1.5) bes\> a g d'4.~\! \| d2.~ \| d4 } \addlyrics { \override LyricText.font-size = #0.5 Sie lieb -- ten sich Bei -- de, doch kein -- er wollt' es dem An -- dern ge -- stehn __ } >>$ 3 $<< \relative c'' { \tempo "Bewegt" \key ees \major \time 4/4 \numericTimeSignature \override DynamicLineSpanner.direction = #UP \partial 8 g8\p \| g4. a8 bes4( c8) d \| ees4 c bes4. 8 \| ees4. 8 d4 c \| bes2. } \addlyrics { \override LyricText.font-size = #0.5 Die Lie -- be saß __ als Nach -- ti -- gall im Ro -- sen -- busch und sang; } >>$ 4 $<< \relative c'' { \key des \major \time 6/8 \override DynamicLineSpanner.direction = #UP \partial 8 aes8\p \| 4 8 4 ees8 \| ges4 f8 r4 aes8 \| ees'4 des8 c( bes) c \| des4.~ 8 } \addlyrics { \override LyricText.font-size = #0.5 Der Mond kommpt still ge -- gan -- gen, mit sei -- nem gold' -- nen Schein, } >>$ 5 $<< \relative c'' { \tempo Langsam \key aes \major \time 3/4 \override DynamicLineSpanner.direction = #UP \partial 8 ees8\p \| aes,4. \once\stemUp bes8\< c[ des] \| 4\! c8 8 aes[ bes] \| \override Hairpin.Y-offset = #2.3 \once\override Hairpin.shorten-pair = #'(0 . 0.5) c8\< des 16 16 \once\override Hairpin.shorten-pair = #'(0.5 . 0) f4->\> ees8 des \| d4\! ees8 } \addlyrics { \override LyricText.font-size = #0.5 Ich hab' in Dei -- nem Au -- ge den Strahl der e -- wi -- gen Lie -- be ge -- se -- hen, } >>$ 6 $<< \relative c' { \tempo "Sehr getragen" \key aes \major \time 3/4 \override DynamicLineSpanner.direction = #UP \partial 8 ees8\p \| c'4. c8 bes[ c] \| \once\override Hairpin.shorten-pair = #'(0 . -2) c4\< des d \| \once\override Hairpin.shorten-pair = #'(1.3 . 0) ees4.\> 8 f[ ees] \| bes2\! } \addlyrics { \override LyricText.font-size = #0.5 Die stil -- le Lo -- tos -- blu -- me steigt aus dem blau -- en See, } >>$
Movements/SectionsMov'ts/Sec's	6 songs
First Publication	1844 – Leipzig: Breitkopf und Härtel
Genre Categories	Lieder; Songs; For voice, piano; For voices with keyboard; Scores featuring the voice; Scores featuring the piano; German language; For cello, piano (arr); Scores featuring the cello (arr); Scores featuring the piano (arr); For 2 players (arr); For piano (arr); For 1 player (arr)

1 Performances
- 1.1 Naxos
2 Sheet Music
3 General Information

Performances

Naxos

Javascript not enabled.

Sheet Music

Scores

Complete Score
*#348578 - 1.48MB, 15 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 8528×⇩ - Cypressdome

PDF scanned by US-CAe
Cypressdome (2014/10/18)

Editor	First edition
Publisher. Info.	Leipzig: Breitkopf und Härtel, n.d.[1844]. Plate 6996.
Copyright	Public Domain [tag/del]
Misc. Notes	Original images: ca.300dpi, color jpg files approx. 3180 by 3900 pixels. Editing: re-sampled to 600dpi, converted to black and white tif files, de-skewed, and set uniform margins. This file is based on high-resolution images obtained from the source using a method explained on this page.
Purchase	Javascript is required for this feature.

Nos.1-2, 5-6 (also Op.23 No.5)
*#454112 - 2.93MB, 10 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 678×⇩ - IgorCello

PDF scanned by Unknown
IgorCello (2017/1/3)

Publisher. Info.	Lieder (pp.204-213) Leipzig: Breitkopf und Härtel, n.d. Plate V.A. 290.
Copyright	Public Domain [tag/del]
Purchase	Javascript is required for this feature.

Arrangements and Transcriptions

Selections (Nos.1, 6)

For Cello and Piano (Mandozzi)

Complete Score
*#359701 - 0.09MB, 5 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 2199×⇩ - Cellofan

PDF typeset by arranger
Cellofan (2015/1/4)

Cello Part
*#359702 - 0.05MB, 2 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 1473×⇩ - Cellofan

PDF typeset by arranger
Cellofan (2015/1/4)

Arranger	Orfeo Mandozzi
Publisher. Info.	Minusio: Orfeo Mandozzi, 4 Jan. 2015.
Copyright	Creative Commons Attribution-NonCommercial-ShareAlike 4.0 [tag/del/mrg]
Misc. Notes	Consists of "Ich stand in dunklen Träumen" (No.1) and "Die stille Lotosblume" (No.6).
Purchase	Javascript is required for this feature.

Ich stand in dunklen Träumen (No.1)

For Piano (Modica)

Complete Score
*#874026 - 0.08MB, 2 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 275×⇩ - The ModicaLiszt

PDF typeset by arranger
The ModicaLiszt (2023/9/9)

Arranger	Aidan Modica (b. 2005)
Publisher. Info.	Aidan Modica, 2023.
Copyright	Creative Commons Attribution 4.0 [tag/del]
Misc. Notes	Concert transcription for solo piano.
Purchase	Javascript is required for this feature.

Lyrics (1)

Javascript is required to submit files.

General Information

Work Title	6 Lieder
Alternative. Title	Sechs Lieder ; Sechs Lieder mit Begleitung des Pianoforte
Composer	Schumann, Clara
Opus/Catalogue NumberOp./Cat. No.	Op.13
Internal Reference NumberInternal Ref. No.	ICS 8
Movements/SectionsMov'ts/Sec's	6 songs: Ich stand in dunklen Träumen Sie liebten sich beide Die Liebe sass als Nachtigall Der Mond kommt still gegangen Ich hab’ in Deinem Auge Die stille Lotosblume
First Publication.	1844 – Leipzig: Breitkopf und Härtel
Librettist	see below Heinrich Heine (Nos.1-2) Emanuel Geibel (Nos.3-4, 6) Friedrich Rückert (No.5)
Language	German
Dedication	Caroline Amalie, Queen consort of Denmark
Composer Time PeriodComp. Period	Romantic
Piece Style	Romantic
Instrumentation	voice, piano
External Links	The Lied, Art Song, and Choral Texts Archive