6 Lieder, Op.37 (Heinrich, Max)

Movements/SectionsMov'ts/Sec's 6 songs
First Publication 1913 – New York: Carl Fischer
Genre Categories Lieder; Songs; For voice, piano; [5 more...]For voices with keyboard; Scores featuring the voice; Scores featuring the piano; German language; English language

Sheet Music

Scores

Editor First edition
Language English / German
Translator Alice Mattullath (fl.1902-1943), English text
Publisher. Info. New York: Carl Fischer, 1913. Plate 17457, 17485, 17459, 17462.
Copyright
Public Domain
Misc. Notes Original images: ca.500dpi, color jpg files approx. 5500 by 7075 pixels. Editing: re-sampled to 600dpi, converted to black and white tif files, de-skewed, and set uniform margins.
This item, which is in the public domain in its country of origin, is likewise in the public domain in countries which apply the rule of the shorter term. All EU countries apply the rule of the shorter term in general.
Note that in some cases this rule may be overridden by a treaty with the source country (especially the United States) and/or may not apply to works which fell into the public domain in their source country due to a failure to renew copyright or comply with other formalities.
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General Information

Work Title 6 Lieder
Alternative. Title
Composer Heinrich, Max
Opus/Catalogue NumberOp./Cat. No. Op.37
Internal Reference NumberInternal Ref. No. IMH 4
Movements/SectionsMov'ts/Sec's 6 songs:
  1. Autumn Eve / Herbstabend
  2. Thy Voice / Deine Stimme
  3. Over the Heather / Heidegang
  4. Dreams / Träume
  5. Love Do Not Go! / Geh' nicht fort!
  6. The Road to Love / Weg zur Liebsten
First Publication. 1913 – New York: Carl Fischer
Librettist see below
  1. F.E. Toennies
  2. F.E. Toennies
  3. F.E. Toennies
  4. A. de Nova
  5. Konrad Nies (1862–1922)
  6. F.E. Toennies
Language German / English
Dedication see below
  1. To Mrs. Henry H. Rogers
  2. Frau Rose Schulze-Berge gewidmet
  3. Herrn Jacques Urlus gewidmet
  4. ?
  5. ?
  6. To W. Wade Hinshaw
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation voice, piano

Navigation etc.

The identity of F.E. Toennis is very elusive. These songs appear to be the only works referenced under that name in Worldcat. There was a German philosopher and sociologist named Ferdinand Tönnies (1855–1936) who seems unlikely to have been the author. There was also an F.E. Toennies active ca.1900-1920 in New York City as a manufacturer of soap and perfumes who also seems an unlikely candidate.

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