4 Songs (Fine, Vivian)

Movements/SectionsMov'ts/Sec's 4 songs:
  1. The Lover in Winter Plaineth for the Spring
  2. Comfort to a Youth That Had Lost His Love
  3. She Weeps over Rahoon
  4. Tilly
Composition Year 1933
Genre Categories Songs; For voice, 2 violins, viola, cello; For voices with solo instruments; Scores featuring the voice; Scores featuring the mezzo-soprano voice; Scores featuring the violin; Scores featuring the viola; Scores featuring the cello; English language

Contents

Performances

Recordings

 1. The Lover in Winter Plaineth for the Spring
#238909 - 3.22MB - 1:45 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 538×⇩ - MP3 - Rhymesandchymes

MP3 file (audio)
Rhymesandchymes (2012/6/28)

 2. Comfort to a Youth that had lost his Love
#104713 - 0.62MB - 1:22 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 366×⇩ - MP3 - Rhymesandchymes

MP3 file (audio)
Rhymesandchymes (2012/6/28)

 3. She Weeps Over Rahoon
#238910 - 4.20MB - 2:18 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 248×⇩ - MP3 - Rhymesandchymes

MP3 file (audio)
Rhymesandchymes (2012/6/28)

 4. Tilly
#238911 - 2.22MB - 1:13 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 156×⇩ - MP3 - Rhymesandchymes

MP3 file (audio)
Rhymesandchymes (2012/6/28)

Publisher Info. Vivian Fine Estate
Performers Sandra Sliker-Bouman, soprano
Yemoine Guibbory, David Gusakov, Evelyn Reed, Morris Block, string quartet
Copyright
Creative Commons Attribution Non-commercial No Derivatives 3.0 [tag/del]
Purchase
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Sheet Music

Scores and Parts

 Complete Score
#104707 - 0.57MB, 8 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 1109×⇩ - Rhymesandchymes

PDF typeset by Slawomir Dabrow...
Rhymesandchymes (2011/6/7)

⇒ 4 more: Violin 1 • Violin 2 • Viola • Cello

 Violin 1
#104708 - 0.06MB, 2 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 189×⇩ - Rhymesandchymes

PDF typeset by Slawomir Dabrow...
Rhymesandchymes (2011/6/7)

 Violin 2
#104709 - 0.04MB, 2 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 157×⇩ - Rhymesandchymes

PDF typeset by Slawomir Dabrow...
Rhymesandchymes (2011/6/7)

 Viola
#104710 - 0.05MB, 2 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 153×⇩ - Rhymesandchymes

PDF typeset by Slawomir Dabrow...
Rhymesandchymes (2011/6/7)

 Cello
#104711 - 0.04MB, 2 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 178×⇩ - Rhymesandchymes

PDF typeset by Slawomir Dabrow...
Rhymesandchymes (2011/6/7)

Publisher. Info. Vivian Fine Estate
Copyright
Performance Restricted Attribution Non-commercial No Derivatives 1.0 [tag/del/mrg]
© COPYRIGHT NOTICE. THIS FILE IS PROTECTED UNDER COPYRIGHT LAW.
However, the lawful copyright owner has generously released the file for distribution at IMSLP under one of the Creative Commons licenses or the IMSLP Performance Restricted License, which allow for the free distribution (with proper attribution) of the file with various levels of restriction with respect to the creation of derivative works, commercial usage, or public performances.
Misc. Notes Request Licenses from ASCAP
Report performances to Vivian Fine Estate
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General Information

Work Title 4 Songs
Alternative. Title
Composer Fine, Vivian
I-Catalogue NumberI-Cat. No. IVF 68
Movements/SectionsMov'ts/Sec's 4 songs:
  1. The Lover in Winter Plaineth for the Spring
  2. Comfort to a Youth That Had Lost His Love
  3. She Weeps over Rahoon
  4. Tilly
Year/Date of CompositionY/D of Comp. 1933
First Performance. 1932-02-05
New York: French Institute, League of Composers Concert
First Publication. 1933 – in New Music
Librettist 3 authors
  1. Anonymous (16th century)
  2. Robert Herrick (1591-1674)
  3. James Joyce (1882-1941), from Pomes Penyeach
  4. James Joyce (1882-1941), from Pomes Penyeach
Language English
Average DurationAvg. Duration 7 minutes
Composer Time PeriodComp. Period Modern
Piece Style Early 20th century
Instrumentation Mezzo-soprano and string quartet
External Links Vivian Fine website

Navigation etc.

Reviews

...astonishing, fully mature, intelligent, inspired pieces written by a 20-year-old using melodic and contrapuntal procedures very like those revealed in last Sunday’s all-Fine concert to be her present manner. The text-setting is marvelous. Only Virgil Thomson’s setting of the English language rivals it among 20th century composers. It is natural, perfectly speech-like, yet measured and expressive.

—Charles Shere, The Oakland Tribune, January 15, 1983
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