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Performances
Recordings
Selections
Performer Pages
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Phillip Serna (Viola da Gamba)
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Publisher Info.
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New Comma Baroque, 2012
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Performers
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New Comma Baroque - Matthew C. Cataldi, Baroque violin, Phillip W. Serna, viola da gamba, Emily J. Katayama, Historical Keyboards
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Copyright
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Misc. Notes
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From the program Tous les Matins du Monde “All the Mornings of the World” – Music of the French Baroque by Chambonnières, DuBuisson, Leclair & Marais. Recorded March 27th-28th, 2012 at Bethany Lutheran Church, Crystal Lake, IL
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For Flute and Keyboard
Publisher Info.
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Archiv Produktion APM 198031, 1960.
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Performers
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Camerata Instrumentale der Hamburger Telemann-Gesellschaft
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Copyright
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Performer Pages
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Jean-Pierre Rampal (flute)
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Publisher Info.
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L’Oiseau-Lyre OL-LD 78, 1959.
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Performers
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Robert Veyron-Lacroix (clavecin)
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Copyright
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Performer Pages
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Jean-Pierre Rampal (flute)
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Publisher Info.
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L’Oiseau-Lyre OL-LD 78, 1959.
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Performers
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Robert Veyron-Lacroix (clavecin)
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Copyright
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Naxos
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Sheet Music
Scores and Parts
Complete
Publisher. Info.
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Manuscript, n.d.(ca.1750).
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Copyright
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Misc. Notes
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Manuscript from the Giedde collection at DK-Kk (mu 6210.0826) . It is interesting to see what the copyist has left out. RISM 150205118
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⇒ 4 more: Complete Score • Complete Score • Complete Score • Complete Score
PDF scanned by Unknown
Vangi (2013/12/26)
Editor
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Robert E. Preston (1927-2017)
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Publisher. Info.
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Madison: A-R Editions, 1988.
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Copyright
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Misc. Notes
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Continuo realization removed. Sonata No.3 features violin, viol and continuo. URTEXT EDITION
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.
In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).
You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.
More information can be found here. Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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Selections
Editor
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John Wade
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Publisher. Info.
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England: John Wade, 2016.
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Copyright
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Editor
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John Wade
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Publisher. Info.
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England: John Wade, 2016.
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Copyright
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Editor
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John Wade
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Publisher. Info.
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England: John Wade, 2016.
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Copyright
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Sonata No.8 in D major
Editor
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Robert Eitner (1832-1905)
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Publisher. Info.
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Leipzig: Breitkopf & Härtel, n.d. Plate E.B. 3656.
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Copyright
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Misc. Notes
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Vdg part arranging for viola. Alternate cello part (tenor and bass clefs) included. No continuo cello part.
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Arranger
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Hugo Ruf (1925-1999)
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Publisher. Info.
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Antiqua, einer Sammlung alter Musik, ANT 70 Mainz: B. Schott's Söhne, 1968.
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Copyright
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Misc. Notes
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Vdg part uses alto and bass clefs, so viola players should use the Eitner ed. Alternate cello part (tenor and bass clefs) included. Also continuo cello part.
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Editor
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Sieur de Limouillet
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Publisher. Info.
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Sieur de Limouillet
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Copyright
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Sonata No.11 in B minor
Editor
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Siegfried Petrenz (1927-2016) Ernö Sebestyén (1940-)
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Publisher. Info.
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Munich: G. Henle Verlag, 1991. URTEXT EDITION
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.
In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).
You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.
More information can be found here. Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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Copyright
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Misc. Notes
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Urtext Französische Violinmusik der Barockzeit
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Arrangements and Transcriptions
Sonata No.1 in E minor
For Recorder and Continuo (Shann)
Editor
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Richard Shann
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Publisher. Info.
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Richard Shann
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Copyright
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Misc. Notes
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Transposed up a minor third. Created with Denemo, www.denemo.org. This is intended as a playing edition with the continuo player having three pages open for the movements extending over three pages.
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Sonata No.2 in F major
For Violin and Piano (Moffat)
Sonata No.7 in B♭ major
Largo, Aria, Giga for Violin and Piano (David)
- See: Vorstudien zur hohen Schule des Violinspiels, Item 5
Sonata No.11 in B minor
Aria, Allegro, Prestissimo for Violin and Piano (David)
- See: Vorstudien zur hohen Schule des Violinspiels, Item 10
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General Information
Work Title
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12 Sonatas for Violin or Flute and Continuo (Book II)
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Alternative. Title
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Second Livre de Sonates pour le Violon et pour la flute avec la basse continue
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Composer
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Leclair, Jean-Marie
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Opus/Catalogue NumberOp./Cat. No.
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Op.2
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I-Catalogue NumberI-Cat. No.
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IJL 14
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Movements/SectionsMov'ts/Sec's
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12 sonatas, 5, 3, 3, 4, 4, 2, 4, 4, 3, 3, 3, 4 movements
- Sonata in E minor
- Sonata in F major
- Sonata in C major
- Sonata in A major
- Sonata in G major
- Sonata in D major
- Sonata in B♭ major
- Sonata in D major
- Sonata in E major
- Sonata in C minor
- Sonata in B minor
- Sonata in G minor
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First Publication.
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1728
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Dedication
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À Monsieur Bonnier de la Mosson
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Composer Time PeriodComp. Period
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Baroque
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Piece Style
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Baroque
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Instrumentation
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violin (or flute), continuo; 1 sonata with additional viola da gamba
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Manuscript Sources
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No.5, 1721 mss copy by Michelè Dublicq No.7, 1721 mss copy by Michelè Dublicq
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Navigation etc.
This is opus 2 though not so labeled in the score. Note Wikipedia entry for composer.
There are two 18th century printed versions of this set, dated 1728 and 1753. The latter scores no 8 for the 3 parts: 2 violins and bc, while the former scores it for flute/violin, viola da gamba, and continuo (harpsichord/cello). The vdg part assumes a 7-stringed instrument, making bar 43 of the 2nd movt difficult for a 6-stringed player.
A-R editions repub. for date 1728.