Performances [show]
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Synthesized/MIDI
⇒ 7 more: 2. La Demargnola • 3. La Nouvelle • 4. La Siran • 5. La Cascastel • 6. La Suzanne • 7. La Remond - Aria • 8. La Pestalozi
| Publisher Info.
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Montréal: Les Éditions Outremontaises, 2014
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| Performers
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MIDI file by Pierre Gouin
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| Copyright
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⇒ 7 more: 10. La Tourrette • 11. La Bressol • 12. Menuets • 13. La Colesse • 14. La Motet • 15. La Desavenier • 16. La Delaroüe
| Publisher Info.
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Montréal: Les Éditions Outremontaises, 2014
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| Performers
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MIDI file by Pierre Gouin
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| Copyright
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Sheet Music
Scores
| Editor
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Pierre Gouin - Contact
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| Publisher. Info.
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Montréal: Les Éditions Outremontaises, 2009
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| Copyright
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| Misc. Notes
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Urtext edition after a facsimile of the original publication.
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⇒ 15 more: 2. La Demargnola • 3. La Nouvelle • 4. La Siran • 5. La Cascastel • 6. La Suzanne • 7. La Remond - Aria • 8. La Pestalozi • 9. La Pitras • 10. La Tourrette • 11. La Bressol • 12. Menuets • 13. La Colesse • 14. La Motet • 15. La Desavenier • 16. La Delaroüe
| Editor
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Pierre Gouin - Contact
|
| Publisher. Info.
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Montréal, Les Éditions Outremontaises, 2009
|
| Copyright
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|
| Misc. Notes
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These file(s) are part of the Werner Icking Music Collection.
Urtext edition after a facsimile of the original publication.
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| Purchase
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General Information
| Work Title
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Premier Livre de Pièces de Clavecin, Œuvre premier
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| Alternative. Title
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| Composer
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Beauvarlet-Charpentier, Jean-Jacques
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| Opus/Catalogue NumberOp./Cat. No.
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Op.1
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| Internal Reference NumberInternal Ref. No.
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IJB 17
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| Movements/SectionsMov'ts/Sec's
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16 pieces
- 1. La Cécile
- 2. La Demargnola
- 3. La Nouvelle
- 4. La Siran
- 5. La Cascastel
- 6. La Suzanne
- 7. La Remond - Aria
- 8. La Pestalozi
- 9. La Pitras
- 10. La Tourrette
- 11. La Bressol
- 12. Menuets
- 13. La Colesse
- 14. La Motet
- 15. La Desavenier
- 16. La Delaroüe
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| First Publication.
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1770 ?
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| Composer Time PeriodComp. Period
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Classical
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| Piece Style
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Classical
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| Instrumentation
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harpsichord (or pianoforte)
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Navigation etc.
Please note that Jean-Jacques Beauvarlet used CHARPENTIER as his official name, as is clearly written on each and every score published during his lifetime. Sometimes, he would be referred as «Jean-Jacques Beauvarlet dit Charpentier». However, his son Jacques-Marie was known as «Beauvarlet-Charpentier».
