Journal d'orgue No.8 (Beauvarlet-Charpentier, Jean-Jacques)

Movements/SectionsMov'ts/Sec's 11 Proses
First Publication 1785
Genre Categories Pieces; For organ; Scores featuring the organ; For 1 player

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#379497 - 0.78MB, 26 pp. -  10/10 2 4 6 8 10 (1) - !N/!N/!N - 1338×⇩ - editor

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editor (2015/5/28)

Editor Pierre Gouin - Contact
Publisher. Info. Montréal: Les Éditions Outremontaises, 2014
Copyright
Creative Commons Attribution-ShareAlike 4.0
Misc. Notes Urtext edition after a facsimile of the original publication.
Source : Bibliothèque nationale de France, département Musique, D-1929 (8). Page 7 is missing in the original publication, replaced by a double of page 9; consequently, the last versets from Prose 7 and the 6 first versets of Prose 8 are lost.
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⇒ 10 more: 2. Prose pour l'Épiphanie • 3. Prose pour la Purification • 4. Prose pour l'Annonciation • 5. Prose pour le jour de Pâque • 6. Prose pour l'Ascention • 7. Prose pour la Pentecôte • 8. Prose pour la Fête-Dieu • 9. Prose de la Dédicace • 10. Prose pour la S. Denis • 11. Prose pour la Fête de tous les Saints

Editor Pierre Gouin - Contact
Publisher. Info. Montréal: Les Éditions Outremontaises, 2014
Copyright
Creative Commons Attribution-ShareAlike 4.0
Misc. Notes Urtext edition after a facsimile of the original publication.
Proses no 7 & 8 are incomplete.
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General Information

Work Title Journal d'orgue No.8
Alternative. Title Title-page transcription
Journal d ’Orgue No 8 /à l ’usage des Paroisses et des Communautés Religieuses /Contenant plusieurs Proses/ pour les principales Fêtes de l ’Année par Monsieur Charpentier /Organiste de l’Église de Paris /de la Paroisse Royale de St. Paul /et de l’Abbaye Royale de St. Victor.</span>
Composer Beauvarlet-Charpentier, Jean-Jacques
Internal Reference NumberInternal Ref. No. IJB 9
Movements/SectionsMov'ts/Sec's 11 Proses
First Publication. 1785
Composer Time PeriodComp. Period Classical
Piece Style Classical
Instrumentation organ

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Please note that Jean-Jacques Beauvarlet used CHARPENTIER as his official name, as is clearly written on each and every score published during his lifetime. Sometimes, he would be referred as «Jean-Jacques Beauvarlet dit Charpentier». However, his son Jacques-Marie was known as «Beauvarlet-Charpentier».

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