Contrapunctus seu figurata musica super plano cantu missarum solennium totius anni (Guaynard, Stephani)

Movements/SectionsMov'ts/Sec's Proper for 13 masses (77 pieces)
First Publication 1528
Genre Categories Masses; Religious works; Antiphons; [8 more...]Motets; For 4 voices; For unaccompanied voices; Scores featuring the voice; For mixed chorus; Scores featuring mixed chorus; For unaccompanied chorus; Latin language

Sheet Music

Scores

Publisher. Info. Lyon: Stephani Guaynard; Bernardus Guarnerus, 1528.
Copyright
Public Domain
Misc. Notes RISM 15281
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 Complete Score
#674435 - 150.14MB, 129 pp. -  0/10 2 4 6 8 10 (0) - V/V/V - 21×⇩ - Fynnjamin

PDF scanned by D-Eu
Fynnjamin (2021/2/6)

Copyist Raymund Schlecht (1811–1891)
Publisher. Info. Manuscript, n.d.(ca.1866-68).
Copyright
Public Domain
Misc. Notes Transcription in score. D-Eu Esl I 247
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General Information

Work Title Contrapunctus seu figurata musica super plano cantu missarum solennium totius anni
Alternative. Title
Composer Guaynard, Stephani
Internal Reference NumberInternal Ref. No. None [force assignment]
Movements/SectionsMov'ts/Sec's Proper for 13 masses, plus 5 antiphons and motets (77 pieces), arranged in chronological order for the liturgical year.
Anonymous except for the last 3 motets, which are by Layolle.
First Publication. 1528
Language Latin
Dedication Bernardo Altovitae Patricio Florentino S P D (possibly Bernardo Pisano?)
Composer Time PeriodComp. Period Renaissance
Piece Style Renaissance
Instrumentation 4 voices
Extra Information The voice part containing the cantus firmus is given in plainchant notation (usually Tenor part); the other voices are in mensural notation.
The Lyons Contrapunctus (1528) by David A. Sutherland (Madison, Wisc: A-R Editions.1976)
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