Concerto Grosso in E minor, HWV 321 (Handel, George Frideric)

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Sheet Music

Full Scores

Editor Adolf Hoffmann (1898–1983)
Hans Ferdinand Redlich (1903–1968)
Publisher. Info. Hallische Händel-Ausgabe, Serie IV: Instrumentalmusik, Band 14: Zwölf Concerti Grossi Opus 6 (pp.53-70, 272)
Kassel: Deutsche Händelgesellschaft, 1961. Plate BA 4016.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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Misc. Notes scan: score scanned at 600dpi (High Quality Scanning)
#561130-561131: 600 dpi. Page size is 9.23 x 12.21 inches.
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Editor Wilhelm Weismann (1900–1980)
Publisher. Info. Leipzig: Edition Peters, n.d. Plate 4422.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Reprinted Boca Raton: Edwin F. Kalmus, n.d.(1987-2018). Catalog A1152.
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Misc. Notes Full Score is 10x13 scan.
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Parts

7 more: Violin II Solo • Cello Solo • Violins I • Violins II • Violas • Continuo (Cellos/Bass) • Harpsichord

Editor Wilhelm Weismann (1900–1980)
Publisher. Info. Leipzig: Edition Peters, n.d. Plate 4422.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Reprinted Boca Raton: Edwin F. Kalmus, n.d.(1987-2018). Catalog A1152.
Copyright
Misc. Notes Parts are 10x13 scans.
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Editor Adolf Hoffmann (1898–1983)}
Hans Ferdinand Redlich (1903–1968)
Publisher. Info. Hallische Händel-Ausgabe, Serie IV: Instrumentalmusik, Band 14: Zwölf Concerti Grossi Opus 6
Kassel: Deutsche Händelgesellschaft, 1961. Plate BA 4211.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Reprinted Boca Raton: Edwin F. Kalmus, n.d.(1987-2018). Catalog A7861.
Copyright
Misc. Notes Parts are 10x13 scans.
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Arrangements and Transcriptions

For Accordion Orchestra (Pasztor)
Arranger Ernö Pasztor
Publisher. Info. SONOPTIKON, 2018.
Copyright
Misc. Notes Parts and Feedback
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For 4 Recorders (Wiebes)
Arranger Jaap Wiebes
Publisher. Info. Jaap Wiebes
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For 2 Pianos (Philipp)
Arranger Isidor Philipp (1863-1958)
Publisher. Info. Paris: Heugel & Cie., 1911. Plate H. & Cie. 25,057.
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Misc. Notes This file is part of the Sibley Mirroring Project.
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Allegro (No.3)

For 2 Pianos (Slocum)
Arranger Bradley A. Slocum
Publisher. Info. Bradley A. Slocum
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General Information

Work Title Concerto Grosso in E minor
Alternative. Title
Composer Handel, George Frideric
Opus/Catalogue NumberOp./Cat. No. HWV 321 ; Op.6 No.3
Internal Reference NumberInternal Ref. No. IGH 128
Key E minor
Year/Date of CompositionY/D of Comp. 1739-40
First Publication. 1740 in 12 Concerti Grossi, Op.6 (No.3)
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation 2 violins, cello, strings, continuo
External Links Wikipedia article (complete Op.6)