La veillée de la Saint-Sylvestre, VWV 2008 (Viardot, Pauline)

Movements/SectionsMov'ts/Sec's	Saynète in 2 tableaux
Composition Year	1867
Genre Categories	Operettas; Theatrical Works; Operas; For voices, mixed chorus, orchestra; Scores featuring the voice; Scores featuring mixed chorus; Scores featuring the orchestra; For voices and chorus with orchestra; French language; for voice, female chorus, tambourine, triangle and piano (arr)

Sheet Music

Arrangements and Transcriptions

Chœur des Bohémiens

For Voice, Female Chorus, Tambourine, Triangle and Piano

Complete Score and Tambourine & Triangle Parts
*#580740 - 6.12MB, 12 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 50×⇩ - IgorCello

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IgorCello (2019/7/10)

Choral Score
*#580741 - 1.70MB, 4 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 28×⇩ - IgorCello

PDF scanned by Unknown
IgorCello (2019/7/10)

Arranger	Unknown
Publisher. Info.	Paris: Enoch, 1899. Plate E & C. 3701-2.
Copyright	Public Domain [tag/del/mrg]
Misc. Notes	For solo voice, women's chorus (SMzA), tambourine, triangle and piano
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General Information

Work Title	La Veillée de la Saint-Sylvestre
Alternative. Title	Вечер св. Сильвестра
Composer	Viardot, Pauline
Opus/Catalogue NumberOp./Cat. No.	VWV 2008
Internal Reference NumberInternal Ref. No.	IPV 29
Movements/SectionsMov'ts/Sec's	2 tableaux, the numbers include: Chanson de Sarah "Donne-moi la main, Madame" Chœur de jeunes filles dans la coulisse "La neige froide et blanche" Sérénade "Entends tu ma belle" Chœur des Bohémiens, "Vrais enfants de la Bohême"
Year/Date of CompositionY/D of Comp.	1867
First Performance.	Presumably performed at Baden Baden on December 31, 1867
Librettist	Ivan Turgenev (1818–1883)
Language	French
Composer Time PeriodComp. Period	Romantic
Piece Style	Romantic
Instrumentation	voices, mixed chorus, orchestra (assumed from the movements)

Navigation etc.

Libretto in French (p. 51) and Russian (p. 60) from the article by Nicholas Žekulin about Turgenev and Viardot

Turgenev’s scenario has been published, but as ‘Les Bohémiens’. It was André Mazon who, provisionally and as it turns out incorrectly, first used that title for the present operetta: see Mazon, p. 72; Turgenev, Sochineniya, vol. 12, pp. 203-4, 636. More recently Turgenev’s libretto has been published by Nicholas Žekulin, under its correct title: see I.S. Turgenev. Novyye issledovaniya i materialy, vol. III, Moscow and St. Petersburg, 2012, pp. 55-64. See also Paul Viardot, Souvenirs d’un artiste, Paris, 1910, p. 17. Drafts of Turgenev’s libretto and of most musical numbers by Pauline Viardot remain in at least the Harvard collections.