Capriccio for Oboe and String Trio (Fine, Vivian)

Movements/SectionsMov'ts/Sec's 1
Composition Year 1946
Genre Categories Capriccios; For oboe, violin, viola, cello; Scores featuring the oboe; [4 more...]Scores featuring the violin; Scores featuring the viola; Scores featuring the cello; For 4 players

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Sheet Music

Scores and Parts

 Complete Score
#191348 - 4.05MB, 23 pp. -  7.4285714285714/10 2 4 6 8 10 (7) - !N/!N/!N - 2099×⇩ - rhymesandchymes

PDF scanned by Paul Hawkins
rhymesandchymes (2012/3/21)

Publisher. Info. Vivian Fine Estate
Copyright
Performance Restricted Attribution Non-commercial No Derivatives 1.0
© COPYRIGHT NOTICE. THIS FILE IS PROTECTED UNDER COPYRIGHT LAW.
However, the lawful copyright owner has generously released the file for distribution at IMSLP under one of the Creative Commons licenses or the IMSLP Performance Restricted License, which allow for the free distribution (with proper attribution) of the file with various levels of restriction with respect to the creation of derivative works, commercial usage, or public performances.
Misc. Notes Score: Composers Facsimile Edition, ©1957.
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General Information

Work Title Capriccio for Oboe and String Trio
Alternative. Title
Composer Fine, Vivian
Internal Reference NumberInternal Ref. No. IVF 8
Movements/SectionsMov'ts/Sec's 1
Year/Date of CompositionY/D of Comp. 1946
First Performance. 1948-04-17 in New York City, ICSM Forum Group
Lois Wann, oboe, Sherman Goldscheid, violin, Sol Greitzer, viola, and Eula Schock, cello
First Publication. 1957
Average DurationAvg. Duration 10 1/2 minutes
Composer Time PeriodComp. Period Modern
Piece Style Modern
Instrumentation oboe, violin, viola, cello

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The Capriccio marks a new stage in Fine’s writing—her music is more freely dissonant, key signatures disappear, and tonal references are rare. As a result she stresses melodic line, the talent that was so apparent in her early music…. Rather than a collection of short movements, the piece is designed as one long movement divided into several sections. Each instrument has prominent melodies, sometimes solo and sometimes accompanied, some of which Fine sets as canons.

—Heidi Von Gunden, The Music of Vivian Fine, Scarecrow Press, 1999
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