Performances
Recordings
| Publisher Info.
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Salvador Torré
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| Performers
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Salvador Torré and Clara Novakova, Paris 1988
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| Copyright
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| Misc. Notes
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Please note that in the recording there is two versions for Crossnotes (3th. mvt.): Diagonal reading and 'Normal' reading
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| Purchase
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| Publisher Info.
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Salvador Torré
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| Performers
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Salvador Torre and Clara Novakova, Paris 1988
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| Copyright
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| Purchase
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| Publisher Info.
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Salvador Torré
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| Performers
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Sibila de Villa
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| Copyright
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| Purchase
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Sheet Music
Scores
PDF typeset by S.T.
S.T. (2012/5/23)
| Editor
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Pierre-Yves Artaud (collection editor)
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| Publisher. Info.
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Pour la flûte traversière: Méthod élémentaire
Pars: Lemoine, 1972, 1989. / Salvador Torré
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| Copyright
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| Misc. Notes
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This 5 pieces can be played separately. Read the instructions in each piece. For ex. in the first piece is recommended: four players minimum. Spatiallyse the performers as far as possible, and detune the instruments in a 1/8 of tone. The 2nd. piece is for two players. The 3th. piece is for the largest number of performers. The 4th. piece is to be played in pairs relaying the performers on a sign given by a instrumentalists thereof.
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General Information
| Work Title
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Five pedagogical pieces for flutes
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| Alternative. Title
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Five pieces for any instrument
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| Composer
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Torre, Salvador
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| I-Catalogue NumberI-Cat. No.
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IST 67
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| Movements/SectionsMov'ts/Sec's
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5
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| Year/Date of CompositionY/D of Comp.
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1988
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| First Performance.
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1988 Boulogne Conservatory, France
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| First Publication.
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1989 - Paris: Lemoine
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| Dedication
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John Cage, Luciano Berio, Olivier Messiaen, Steve Reich and André Boucourechliev
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| Average DurationAvg. Duration
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variable
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| Composer Time PeriodComp. Period
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Modern
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| Piece Style
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Modern
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| Instrumentation
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flutes or equivalent (Vn. Ob. Cl. etc.)
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Navigation etc.
This 5 pieces can be played separately. Read the instructions in each piece.
For ex. in the first piece is recommended: four players minimum. Spatiallyse the performers as far as possible, and detune the instruments in a 1/8 of tone. The 2nd. piece is for two players. The 3th. piece is for the largest number of performers. The 4th. piece is to be played in pairs relaying the performers on a sign given by a instrumentalists thereof.
